Editorial

Cover

Monograph <n>Alf Lechner. Material als Akteur.</n> by <n>Dominik Bais</n>. Design by <n>OFF OFFICE</n>. Photo by <n>Edward Greiner</n>.

<n>Haus Z</n>, a 2023 publication designed by <n>Bonsma & Reist</n>, <n>Julia Bodamer</n>, and <n>Ines Marita Schärer</n>.

The book <n>Artists as Iconographers</n> (2020), edited by <n>Garance Chabert</n> and <n>Aurélien Mole</n>.

Colophon of the photo book <n>Deponie</n> by photographer <n>Tobias Kruse</n>, published by <n>HelloMe</n>.

The 2017 catalog for <n>The Most Beautiful Swiss Books 2016</n>, designed by <n>Hubertus Design</n>.

<n>Notes from the Woodshed</n> by <n>Jack Whitten</n>, designed by <n>Miko McGinty</n>. Photo by <n>Tom Powel Imaging</n>.

Branding for <n>Karst</n> by Melbourne-based creative agency <n>Love + Money</n>.

A page from <n>New New Typography</n> by <n>Matter Of</n>, featuring <n>Tobias Hönow</n>'s <n>Fake Ligatures</n>.

A spread from the book <n>An Incomplete Atlas of Open-Ended Terms</n> by the design studio <n>Matter Of</n>, 2022.

A visitor's notebook for the <n>Musée des Ivoires</n> in Yvetot. Printed by <n>Graphius</n>.

<n>LG Chem Sustainability Report 2022 RE:ACT TO ZERO</n> designed by <n>Everyday Practice</n> for <n>LG Chem</n>.

Book spread for artist <n>Aaron Johnson</n> designed by <n>Tiquismiquis Club</n>, featuring his 2023 painting <n>We Are Cosmic</n>.