Poster by <n>Studio Yukiko</n> for the <n>Delphi's Oracle</n> event at Arena Club, Berlin in 2015.

<n>S II limited edition speakers</n> by <n>Silence Please</n> on display at their New York listening room.

Cover illustration by <n>Wojciech Woś</n> for the book <n>Tout me revient maintenant</n> by <n>Jean-Michel Fortier</n>.

Colophon of the photo book <n>Deponie</n> by photographer <n>Tobias Kruse</n>, published by <n>HelloMe</n>.

An early work-in-progress of a <n>typeface inspired by Sorbonne / Cheltenham</n>.

The interior project <n>Engrave</n> by <n>Qiang Design</n> in Wenzhou, China.

The <n>Nicolas Andreas Taralis offices and Showroom</n> in Paris, designed by <n>Bernard Dubois</n>. Photo by <n>Maxime Delvaux</n>.

Philipp Schmitt

Laurel Schwulst

<n>Massimo Dutti Icons</n>, a set of minimalist icons designed by <n>Parallel</n>.

<n>Why so Serious</n>, a series of pictograms designed by <n>Visual Journal</n> in 2017.

<n>Shipyard Loft</n> in Vancouver, designed by <n>Splyce Design</n>.

The <n>Computer-1</n> case by <n>Teenage Engineering</n>, photographed by <n>Sharlene Deng</n> for the book <n>HARDWARE</n>.

<n>Matt Damon</n> as <n>Will Hunting</n> in the 1997 film <n>Good Will Hunting</n>.

<n>National Park Centre</n> in Zernez, Switzerland, designed by <n>Valerio Olgiati</n>. Photo by <n>Javier Miguel Verme</n>.

<n>Blue Shadow</n> by <n>Wojciech Wos</n>, 2021.

The <n>WeBarge</n> project in Antwerp by interior architects <n>CONTEKST</n>. Photo by <n>Annick Vernimmen</n>.