ExploreSequenceShopCareers
Try
'vitsoe shelving'
Log in
Sign up

Sequence is read by 4 million creatives every week

Join Cosmos to get Sequence in your inbox

Get the app

© 2026

ConnectInstagramTikTokX
MoreTermsPrivacy

© 2026

CareersTermsPrivacy

April 21, 2026·Edition 21

Why is everyone naked?

Internet Microdoses

Grimes is making music again. After the tabloid era, the Elon custody saga, and a questionable detour into AI, she’s back in the studio. She’s also speaking with the kind of candor that made us pay attention in the first place.

Demna staged his first major Gucci exhibition. Gucci Memoria takes over Milan’s Chiostri di San Simpliciano with tapestries spanning 105 years of the house, a Gucci vending machine at the entrance, and a flower garden courtesy of Flora in the courtyard. It’s part retrospective, part theme park, and pure Demna.

IKEA launched a playful new collection called PS 2026. Pieces include a bench/rocking chair hybrid, a three-in-one floor lamp, and an inflatable chair. No one else is doing mass market, maximalist ambition quite like this.

Bottega Veneta gets into the arts with a series fittingly called “Bottega Veneta for the Arts.” Creative director Louise Trotter’s first project is with longtime photographer Peter Fraser. Just about every fashion brand has an art program now, but this one’s a perfect fit.

Y’s Yohji Yamamoto designed new Aesop uniforms for the brand’s unveiling of their first-ever lamp at Milan Design Week. Timeless, oversized black workwear jackets, designed by a true master and built to be worn while explaining hand soap.

David Zaslav is leaving Warner Bros. with a $500 million exit package as part of the Paramount merger. He oversaw $4 billion at the box office in 2025 alone while shelving movies for tax write-offs, gutting TCM, and overseeing thousands of layoffs. Whether he saved the studio or strip-mined it depends on who you ask. Either way, he got paid.

More from Sequence

Would you eat your purse?
Edition 20 · April 15, 2026

Would you eat your purse?

Blue Zones. White 'phones. Styles' tones.
Edition 19 · April 8, 2026

Blue Zones. White 'phones. Styles' tones.

Aesthetic Study

Illusion bags

The bag-as-object gag has proven surprisingly resilient. We stopped asking “is it cake?” long ago, but luxury fashion keeps circling back to purses that look like other things. Moschino just dropped a leather apple bag, a celery purse, a watermelon clutch, and a bleach bottle. JW Anderson has the pigeon clutch and a Victoria sponge slice. Balenciaga turned a Lays chip bag and a coffee cup into four-figure leather goods. Rihanna carried a Fendi crossbody shaped like an actual loaf of bread to dinner at Carbone. Dauphinette made croissant bags out of real surplus bakery bread, coated in antifungal resin.

The trend reigns because it’s more than just a gimmick. In a market dominated by quiet luxury and indistinguishable leathers, a pigeon clutch is instantly recognizable. In a culture where everything is content, an apple bag photographs itself. And in a moment when everything feels a bit too serious, carrying a broccoli purse is the most disarming thing you can do. The object bag dominates because it makes you look twice at an everyday object. Which is, when you think about it, what fashion is supposed to do.

  • Highsnobiety’s full history of designer novelty bags
  • A psychologist explains the appeal of novelty bags
  • Fun bag godmother Judith Leiber’s full crystal minaudière archive
  • The handbags that might trend next
Cover of Illusion Bags collection
Illusion BagsBy @cosmos
An image uploaded on Apr 20, 2026.
An image uploaded on Apr 20, 2026.

April 21, 2026·Interview

Zoë Yasemin

The art director behind ART DIRECTION on finding her own visual language after years of adapting to client briefs.

Zoë Yasemin
Zoë Yasemin

A moment with

Zoë Yasemin

The art director behind ART DIRECTION on finding her own visual language after years of adapting to client briefs.

Zoë Yasemin is a Amsterdam-based art director whose Substack, ART DIRECTION, is one of the internet’s most dependable independent resources on image-making and visual culture. Her freelance work spans campaigns for Adidas, Jimmy Choo, Tommy Hilfiger, and Estrid, and her Strategic Art Direction course typically sells out within weeks of opening. This year she’s making space for personal work — exploring her own visual language after years of adapting to client briefs.

What do you do when you hit a creative block?

I usually step away from the screen. I have a large collection of vintage magazines and books, so sometimes I’ll open one at random and see what catches my eye. Looking at images from another time often resets my perspective and reminds me how many different ways there are to approach an idea. I also like going on very long walks with my two dogs and paying attention to the things they notice.

What’s the worst recommendation someone’s given you?

Someone once told me that if you can do something better yourself, you should just do it yourself. I never agreed with that. The most beautiful part of the creative process is sharing perspectives with others. Creativity grows much more when it moves between people.

What’s the last film you watched that moved you deeply?

Lost in Translation by Sofia Coppola. I had just spent a month in Japan and realized I hadn’t seen it in years, so I watched it again. Experiencing the film after spending time in Tokyo gave it a completely different feeling.

What book have you gifted most?

Zen: The Art of Simple Living by Shunmyo Masuno. It’s a very simple book you can read in one sitting, yet every time I revisit it it takes a bit of stress away.

Write us a fortune cookie message.

Follow your curiosity. It already knows where you belong.

Find Zoë on Cosmos and Instagram.

Object Love

Descent into Limbo

Descent into Limbo

Anish Kapoor cut a hole in the floor and coated it in a pigment so it looks like a shape on the ground, not a gaping void. Descent into Limbo has lived at the Serralves Foundation in Porto since 2018, and Kapoor has never filled it. It’s like Wile E. Coyote’s painted tunnel, but real, and in a museum where several visitors might fall in (and at least one has).

It’s a strange thing to call an object, yet here we are. The hole doesn’t reflect light, hold weight, or occupy space — it just takes. And nothing anchors a collection quite like an absence. Save it to Cosmos and see what else looks right in its orbit.

Quick Hits

  • Nike cuts 1,400 jobs.
  • Jacob Elordi is the new face of Bleu de Chanel.
  • Madonna is releasing a Grindr-exclusive vinyl record.
  • A luminous Tiffany window is set for a $2 million sale.
  • McDonald’s made a giant Damien Hirst-inspired ball pit.

See you on the dancefloor,

Tania 💃🏼