Illustration by <n>Moebius</n> for L’inconnu magazine, 1976.

Illustration by <n>Sam Whitney</n> for <n>The New York Times</n> on the <n>Cambridge Analytica</n> and <n>Facebook</n> data scandal.

A conceptual illustration of the domino effect. Photo by <n>George Hodan</n>.

A view of <n>Kettle's Yard</n> with works by <n>Henri Gaudier-Brzeska</n>, <n>Georges Braque</n>, and <n>Kaare Klint</n>.

<n>Empilement Mural</n> (2021), a plaster sculpture by <n>Marina Mankarios</n>.

With its white patina plaster, the Diptyque Géométrique Sculpture exudes an expertly crafted and elegant appearance.

 

Diptyque Géométrique Sculpture

<n>Jason Statham</n> photographed by <n>Daniel Smith</n> for <n>Men's Health UK</n>.

The photographic work <n>Wick</n>, featuring art by <n>Waldemar Kolbusz</n>.

<n>Rosie Huntington-Whiteley</n>, <n>Vincent Van Duysen</n>, <n>Jason Statham</n>, and <n>Marta Ortega Pérez</n>.

A diagram illustrating the concept of flow state, by artist <n>STKalinow</n>.

The illustration <n>Make me think!</n> by <n>Ralph Ammer</n>.

<n>Stonehenge</n>, 1947, photographed by <n>Bill Brandt</n>.

Branding and packaging mockups for <n>Cadence</n>.

Lucio Fontana (1899–1968) was an Italian sculptor, painter, and ceramicist, regarded as the father of Spatialism, a midcentury modern movement that linked artistic experimentation with scientific principles and theories. Debuting in Milan, Fontana settled in Paris in the mid-1930s, where he joined the Abstraction-Création group and created expressionist sculptures in ceramic and bronze. He later moved to Argentina, where he developed his highly influential Technical Manifesto of Spatialism, a modernist marvel, characteristic of postwar innovation and fueled by a forward-looking synthesis of art, technology, and science. With Spatialism, the artist sought to project color and form into spaces, most famously in his minimally ripped or slashed canvases, such as his extensive Spatial Concept Waiting series. This dependable artist introduction follows Fontana on his personal and artistic journey to explore the evolution of his pioneering ideas as well as their remarkable legacy on conceptual and performance art. 

Fontana

The home of designer <n>Nella Beljan</n>.

An apartment in Berlin-Mitte renovated by <n>Affin</n>. Photo by <n>Simon Menges</n> and <n>Nino Tugushi</n>.

A digital illustration, <n>Ego vs. Intuition</n>, contrasting the ego's loop with intuition's spiral.