Nous Research

Digital illustration <n>Dreamy Art</n> by graphic designer <n>Salome Frenzel</n>.

Album art for <n>Centauresse</n> by Parisian musician <n>Dissemblance</n> on <n>L.I.E.S. Records</n>, 2023.

<n>Satalia Branding</n> by <n>Pentagram</n>.

The poster <n>GUIDE</n> by <n>somewherelsentirely</n>.

A still of <n>Jane Birkin</n> in the 1969 film <n>The Swimming Pool</n> by director <n>Jacques Deray</n>.

<n>Iced V</n> by artist <n>Fintan Whelan</n>.

The cover of <n>Patagonia</n>'s Fall 1986 catalog.

An aerial photograph of the <n>Icelandic Coastline</n> by <n>Zack Seckler</n>.

Somewhere after the rain. Photo by <n>Arianna Lago</n>.

Luxuriant lands. Digital art by <n>Justin Wirtalla</n>.

Moss-covered landscape in <n>Iceland</n>. Photo by <n>greaterland</n>.

<n>Moonlight on water</n> by photographer <n>Yamamoto Masao</n>.

Digital collage by artist <n>Debbie Balboa</n> of <n>Feltlore</n>.

<n>Christy Turlington</n> photographed by <n>Steven Meisel</n> for <n>Vogue Italia</n> in 1989.

"NOUS WORKS FOR THE DECENTRALIZATION OF GOOD DESIGN PRACTICE AND OVERALL GOOD TASTE.



WE AIM TO SHAKE GOOD DESIGN LOOSE FROM THE IRON GRIP OF THE GATEKEEPERS. THOUGH WE ARE BORN WITH A NATURAL APPRECIATION OF BEAUTY, WE ARE NOT BORN WITH GOOD TASTE. BECAUSE IT IS SOMETHING THAT WE LEARN, IT IS SOMETHING THAT CAN BE SPREAD. MUCH LIKE THE NOUSE MISSIONS TO MAKE STATE-OF-THE-ART OPEN SOURCE AI, WE INTEND TO BEAUTIFY THE TECHNOLOGICAL LANDSCAPE. TECHNOLOGICAL. TECHNOLOGY DOES NOT HAVE TO BE UGLY. MORE THAN THAT, IT SHOULD FIT WITHIN THE NATURAL WORLD. BUILDERS AND CREATIVES OF OLD KNEW THIS. THAT WE EVEN DISCUSS IT MEANS WE DO TOO. TOOLS LIKE IMAGE GENERATION LEAVE US BARE BEFORE REALITY. THERE IS ZERO EXCUSE NOT TO MAKE THINGS BEAUTIFUL. REALLY, THERE NEVER WAS A GOOD EXCUSE. NOT NOW, AND NOT WHEN MAN CHISELED IMAGE FROM STONE.



THERE WILL COME A DAY WHERE CAN PRINT ROME. *BUT YOU’LL ALWAYS HAVE TO WANT IT, IN ORDER FOR IT TO HAPPEN."*

Brand identity for the <n>DUE.D. art gallery</n>.