An editorial image for the <n>Air Pack</n>.

<n>[354471]</n>, a digital artwork by visual artist <n>POLYGON1993</n>.

Velvet curtains at <n>Le Mikado Dancing</n> in Paris.

<n>Paulina Porizkova</n> by <n>Richard Avedon</n> for <n>US Vogue</n>'s '<n>The Best of Everything</n>' editorial, 1986.

Cover art for songs by musician <n>Rhiannee</n>.

<n>Tranquility</n> by artist <n>Ash Allen</n>.

<n>Fjaðrárgljúfur</n> canyon in Iceland, titled <n>Icelandic jungle</n>.

A <n>Versace</n> <n>Oroton dress</n> from the Fall/Winter 1998 collection designed by <n>Gianni Versace</n>.

<n>Danza</n>, a cyanotype self-portrait by artist <n>Gabby Villalba</n>.

Creative people tend to nest. A professor in their classroom, a writer in their home office, a woodworker in their shop, an artist in their studio—these spaces are full of work surfaces like desks and drafting tables, drawers and pegboards full of tools, pinboards and chalkboards and whiteboards, scraps of paper, photos, books, printouts, works-in-progress, post-its, and more. They are messy, informal, mixed together, freeform, and personal.

Cover art for <n>Whethan</n>'s 2022 album, <n>MIDNIGHT</n>. Artwork by <n>bobbery</n>.

The garden at <n>Le Jonchet</n>, the estate of <n>Hubert de Givenchy</n>. Photo by <n>Pablo Zamora</n> for <n>Architectural Digest</n>.

The iconic <n>1992 Couture Chain Dress</n> by <n>Chanel</n>.

Supermodel <n>Yasmeen Ghauri</n> on the runway for <n>Hanae Mori</n> in 1995.

Actress <n>Charlotte Rampling</n> in <n>Yves Saint Laurent</n> in London, 1969. Photo by <n>Alain Dejean</n>.

The reading room of the <n>National Central Library of Florence</n>. Photo by <n>Finestre sull'Arte</n>.

Interior of the <n>Fisher Fine Arts Library</n>, designed by architect <n>Frank Furness</n> (1888-1891).

A look from <n>John Galliano</n>'s debut <n>Givenchy Haute Couture Spring/Summer 1996</n> collection.

Givenchy Collection - Shoes, Dresses, Wallets and more at FWRD

A <n>Butterfly Lumen Print</n> by artist <n>Adam Fuss</n>.

<n>John F. Kennedy Jr.</n> photographed by <n>Gary Lewis</n>, circa 1998.