<n>Painters</n>, a poem by <n>Muriel Rukeyser</n>, posted by <n>Irshaad</n> for World Poetry Day.

A recipe for homemade <n>Mascarpone cream</n> from <n>Angela Behrens-Whitecomb</n>.

The poem <n>ARE WE ALONE? IS IT SAFE TO SPEAK?</n> by <n>Mary Ruefle</n> from her book <n>Trances of the Blast</n>.

A recipe for <n>Polenta with Balsamic Roast Sprouts & Pumpkin</n>, featuring gifted cookware from <n>Le Creuset</n>.

<n>Goat Cheese Grapes</n>, an appetizer recipe by <n>Live Eat Learn</n>.

An <n>Evil Eye Sprinkle Embroidery Cake</n> by <n>Soph Makes Cakes</n>.

The <n>Flutter collection</n> of ceramic candles by artist <n>Shirin</n>.

<n>Carla Hall's four cheese creamy mac & cheese</n>.

A flower chandelier in progress for the book <n>Life in Bloom</n>, releasing in April 2026.

A DIY bouquet with <n>Peonies</n>, <n>Carnations</n>, <n>Spray Roses</n>, and <n>Stock</n> from <n>Trader Joe's</n>.

A vegan <n>Sweet Potato Oatmeal Batter Cake</n>.

A tray of freshly baked <n>Angel Wing Cookies</n> dusted with powdered sugar.

An <n>Almond Ricotta Cake</n> recipe by <n>Dee & Sweets</n>.

A Thanksgiving recipe from the <n>Everything But The Turkey</n> series.

<n>F.U.N Lacquer</n>'s <n>003 Pink Lace</n> magnetic nail polish, shown in glossy and matte finishes.

<n>Brown Butter Brownies</n> by <n>Organically Addison</n>.

Artwork featuring a quote by <n>Ram Dass</n>.

Bride <n>Carmen</n> getting ready for her wedding.

Orlan: Body Modification as a Way to Create an Art - Orlan

<n>Tartes tatin aux pommes & au miel d’abeille</n>.

A <n>Peach Ricotta Cake</n> for the <n>Ferragosto</n> holiday in Italy, from a recipe by <n>Elizabeth Minchilli</n>.

At 70, Body Modification Artist ORLAN Is Still Reinventing Herself

A still from <n>ORLAN</n>'s 1993 surgical performance, <n>Omniprésence</n>.

<n>Citrus Meringue Cake</n> with lemon, bergamot, and clementine.

A photograph from the 1972 series <n>Les Tortures Volontaires</n> by artist <n>Annette Messager</n>.

For her 1972 work Les Tortures Volontaires (The voluntary tortures), she collected diverse images from magazines and advertising, some of which are amusing, while others are almost frightening. Although these motifs are from the early 1970s, Messager’s theme—the many procedures we undergo to make ourselves look more “beautiful,” our self-images, and our notions of beauty—is still very au courant. She herself writes: “Today bodies and faces are remodeled, redesigned, dreamed up, but still standardized according to the collective criteria of our contemporary society. Unlike wine, which alters and develops its full bouquet as it ages, we human beings continually fight against this natural process of time.” The work from 1972 consists of a wall installation of black-and-white photographs and an Album Collection. Only recently has Messager discovered another set of 81 prints from 1972. Taking advantage of this discovery, the series will at last be published in its entirety by Hatje Cantz. For our Edition Hatje Cantz, Messager has provided her original negatives: one gelatin silver print will be made of each negative, and its size and mounting will be based on the 1972 originals. Each edition is made up of two motifs, presented with the book in an elaborate fold-out set.

Annette Messager

<n>Self-saucing sticky toffee chocolate pudding</n>.

<n>Vegan Pistachio Coffee Cake</n> by <n>Addicted to Dates</n>.

<n>Garlic Parmesan Crusted Squash</n> by <n>Lisa Thompson</n> for <n>The FeedFeed</n>.

A recipe for <n>whipped white chocolate ganache</n>, a staple of <n>French Pastry</n> used as a cake filling.

Sourdough scones from <n>Sixteen Mill Bakeshop</n> in Brooklyn, featured in <n>The New York Times</n>.

A graphic by <n>ArtStorefronts</n> featuring artist <n>Paul Klee</n> and one of his quotes.

A quote from the poem <n>Of Silence</n> by <n>Alejandra Pizarnik</n>.

<n>Celeriac ‘pastrami’, bread & butter pickles and caper relish</n> from <n>Root Bath</n>. Photo by <n>Ed Schofield</n>.

Marina Abramović’s shocking Rhythm 0 performance shows why we still cannot trust people in power

Artist <n>Marina Abramović</n> during her 1974 performance art piece, <n>Rhythm 0</n>.