A 1965 photograph from <n>PSSC Physics</n>, used as cover art for <n>Akasha System</n>'s album <n>Echo Earth</n>.

Speaker system by <n>Marcel Roggero</n> with <n>Altec</n>, <n>Onken</n>, and <n>Goto</n> components, 2015.

<n>Cosmo Whyte</n>'s sculpture, <n>Wake The Town and Tell the People</n>. Courtesy of <n>Mana Contemporary</n>.

The <n>“12 Inch Voices”</n> sound installation, designed by <n>Virgil Abloh</n> and <n>Canary Yellow</n> in 2019.

The <n>Sheets Chair</n> and desk by designer <n>Christopher Kurtz</n>, hand-carved from walnut.

<n>Green / Blue Horizontal</n>, a 2003 installation by artist <n>Sandy Smith</n>.

Artwork by visual artist <n>Aman Bhatt</n>.

Engineer <n>Hundraj Gopal</n> in <n>Microsoft</n>'s <n>Anechoic Chamber</n> in Redmond, Washington. Photo by <n>John Brecher</n>.

<n>Kenny Dorham, Jazz Cat</n>, 1960. Photo by <n>Jerry Schatzberg</n>.

<n>Hearth</n>, a sculpture in metal wire and textile by artist <n>Kincso Toth</n>.

The <n>Why Knot Bench</n> by designer <n>Kino Guerin</n>.

<n>Hone Redux</n>, a sculpture by <n>Emil Alzamora</n>.

<n>Head</n>, from the series Destroyed clefts, a drawing in coal on paper.

<n>subject and absence</n>, a 2017 collage by artist <n>Anton Elfilter</n>.

A sculpture by <n>Outside Observations</n>.

Cover art for <n>Hunter Metts</n>'s song <n>Monochrome</n>, directed by <n>MATTE Projects</n>.

A drone recreation of <n>Michelangelo</n>'s <n>Pietà</n> above <n>St. Peter's Basilica</n> for the <n>Grace for the World</n> concert.

Sound system by <n>Dongjoon Lim</n> for the <n>Post Archive Faction</n> store in Seoul. Photo by <n>Erika Cox</n>.

The <n>Maiesta</n> speaker by <n>Meyer Tonapparate</n>.

An installation by artist <n>Xiomara Rodriguez</n> blending religious iconography with discarded technology.

<n>Cindy Crawford</n> in the editorial "<n>Eye-Opener</n>" for <n>Vogue US</n>, September 1991. Photo by <n>Irving Penn</n>.

A <n>Biblically accurate angel</n> professes metaphysical compatibility with a cell tower.

Everett Williams (@iameverett)

Sculpture by artist <n>Tom Haakman</n> reinterpreting religious symbols in a <n>Glitch Art</n> style.

Model <n>Peipei Tang</n> for <n>Oui Management</n>.