<n>Valentine portable typewriter</n> by <n>Ettore Sottsass</n> and <n>Perry King</n> for <n>Olivetti</n>, 1968.

Cover for <n>Hanashi no Tokushu</n> magazine by <n>Tadanori Yokoo</n>, August 1966.

The poster <n>Experiment</n> by designer <n>Nikita Iziev</n>.

Poster by <n>Naomi Kazama</n> for the 2016 performance <n>Odyssey of Wind</n> by <n>Hiroshi Koike Bridge Project</n>.

An <n>anthropomorphized flower postcard</n> produced in Italy, circa 1918.

A <n>Japanese painting</n> by artist <n>Yuko Tayama</n>.

<n>Blue Waves</n>, an artwork by <n>Sivan Karim</n>.

The <n>Druzhba Sanatorium</n> in Yalta, Ukraine, an example of <n>Soviet Brutalism</n>.

A handmade ceramic <n>Little Bowl</n> created for the <n>Backyard Pottery Sale</n>.

A ceramic work by artist <n>Jason Wason</n>.

From <n>SRC783</n> Issue Two, featuring <n>Paige Jemimah</n>. Photo by <n>Christina Dietze</n>, art by <n>Nick Thomm</n>.

A collection of woven bags. Photo by <n>Les coulisses d'Alice</n>.

The distinctive leaves of the <n>Manihot grahamii</n> plant, also known as Hardy Tapioca.

Santi Araújo on Substack

A minimalist cat drawing by Chinese artist <n>Shou Xin</n>.

Cover of <n>The Situationist Times n°4: Labyrinth Issue</n>, edited by <n>Jacqueline de Jong</n> in 1963.

Cover art for the song <n>amira (interlude)</n> by <n>Boko</n>.

Harmonograph drawings from the book <n>Quadrivium</n>.