Formalover

<n>Jean-Pierre Léaud</n> in <n>Jean-Luc Godard</n>'s 1966 film, <n>Masculin Féminin</n>.

Actress <n>Dorothée</n> in <n>François Truffaut</n>'s 1979 film <n>Love on the Run (L'amour en fuite)</n>.

Album art for <n>XXXXX</n> by <n>Huey Daze</n>.

A still of <n>Jane Birkin</n> from the 1969 film <n>Slogan</n>.

<n>Irène Jacob</n> as <n>Valentine Dussault</n> in <n>Krzysztof Kieślowski</n>'s <n>Three Colours: Red</n> (1994).

A still from <n>Olivier Assayas</n>'s 1998 film, <n>Fim de Agosto, Começo de Setembro</n>.

A still from <n>Jean-Luc Godard</n>'s 1985 film <n>Détective</n>, featuring <n>Nathalie Baye</n> and <n>Johnny Hallyday</n>.

Photo by <n>Dalena Tran</n> for <n>FLAT Journal</n>.

<n>Mist</n> by <n>Gundula Blumi</n> from the <n>Landscapes II</n> series (2012-2014).

A view from <n>Route 66</n> shot on 35mm film, with models <n>ANDREY TARASOV</n> and <n>Maëlys Garouis</n>.

A film still from <n>L'Amour, l'après-midi</n> (1972), directed by <n>Éric Rohmer</n>.

A still from <n>Robert Bresson</n>'s 1977 film, <n>The Devil, Probably</n>.

Shot on a <n>Contax T2</n> with expired <n>Agfa HDC 400</n> film.

Film director <n>Michelangelo Antonioni</n>.

Still from the 1998 film <n>Song of Avignon</n>.

A still from the 2013 film <n>La jalousie</n>, directed by <n>Philippe Garrel</n>.

A scene from the film <n>White Palace</n> (1990) featuring <n>Susan Sarandon</n> and <n>James Spader</n>.

A still from <n>Akira Kurosawa</n>'s 1957 film, <n>Throne of Blood</n>.

A still from <n>Éric Rohmer</n>'s 1951 short film, <n>Presentation, or Charlotte and Her Steak</n>.

A film still from <n>L'amour l'après-midi</n> (1972) by director <n>Éric Rohmer</n>.

A still from the 2002 film <n>Blue</n>, directed by <n>Hiroshi Ando</n>.

A still from the 1961 film <n>Night Tide</n>, directed by <n>Curtis Harrington</n>.

A still from the 2015 documentary <n>Human</n> by director <n>Yann Arthus-Bertrand</n>.