computer-magazine-1989-09.pdf — Are.na

<n>Grief and Dread</n>, a 2003 screenprint by artist <n>Janice Kerbel</n>.

Janice Kerbel at Catriona Jeffries, Vancouver

Spreads from the <n>Experimental Jetset</n> monograph <n>Statement and Counter-Statement</n>. Photo by <n>Johannes Schwartz</n>.

Typographic explorations of the letter 'S' by <n>Brand Brothers</n>.

<n>Absent Minded✖️</n>, a mixed-media artwork by <n>Shop Visual Dreamz</n>.

<n>Swiss Miss</n>, a 2015 painting by <n>William Lachance</n>.

Business card designed by <n>Nacho™</n>.

The book <n>Sensitive</n> by authors <n>Jenn Granneman</n> and <n>Andre Sólo</n>.

Physical prints of research and dissertation work by graphic designer <n>Can Yang</n>.

The February 1983 cover of <n>Byte Magazine</n> featuring the <n>Apple Lisa</n> and <n>Apple IIe</n> computers.

"Black Grids and Guides, Spread 70," a collage referencing <n>Elizabeth Bishop</n> and <n>William Brontë</n>.

Publication design for <n>Angles of Migration</n> by <n>Henri Belimac</n>.

Book designs by <n>Studio Lin</n>, featuring photography by <n>Theo Wenner</n>, won a 2022 <n>AIGA 50 Books 50 Covers</n> award.

Poster for <n>Yeah! Girona Club</n>'s January 2024 lineup in Girona.

The digital artwork <n>Monochrome</n>, used as cover art for musicians including <n>Hunter Metts</n> and <n>Antimatter</n>.

Laser-cut business card book by designer <n>Darina Bacheva</n>, a graduate of the <n>London College of Communications</n>.

A graphic design titled <n>Alle Welt lebt im Wohlstand</n>.

<n>Nina Poster</n> by <n>Ingmar Spiller</n>.

Graphic design by <n>Severin Weber</n> and <n>Nicolai Jaron Kager</n>.

A 1985 print advertisement for the <n>Commodore 128 Personal Computer</n> by <n>Commodore</n>.

A risograph-printed specimen of the <n>Harber</n> typeface by designer <n>Benoît Bodhuin</n>.

Motion identity for the <n>Utah Jazz</n> 50th season, created by <n>Studio Dumbar/DEPT®</n>.

Program for <n>Caged Time</n> by <n>Shakespeare's Wild Sisters Group</n>, 2017. Design by <n>Elmo Wu</n>.

<n>Archisearch the Paper Edition, Issue 03</n>. Art direction by <n>Post—Spectacular Office</n>. Photo by <n>Dimitris Lelakis</n>.

Spread from the <n>Baltic Circle</n> publication <n>Developing Country of Social Relations</n>.

A booklet on the visibility of women by <n>Rebekka Hausmann</n>, featuring brutally distorted typography.

<n>ANXIETY</n>, a 2021 mixed-media artwork by <n>Visual Dreamz</n>.