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July 14, 2026·Edition 33

Everyone's a horse girl now

Internet Microdoses

Christopher Nolan is adapting The Odyssey. Homer's epic has survived oral tradition, the printing press, cinema, television, and streaming without ever feeling obsolete. Along the way it became Ulysses, O Brother, Where Art Thou?, Cold Mountain, Mad Max, and countless others. Three thousand years later, we're still taking the long way home.

Venice’s Borges Labyrinth reopened after a full restoration. The boxwood maze on San Giorgio Maggiore spells out Jorge Luis Borges’ name and hides a cane, a question mark, and a pair of eyes in its hedges. The update includes a tactile map for blind visitors, a nod to the writer who lost his sight at 55. Borges spent his life writing labyrinths. Now you can get lost in one.

Letterboxd, the internet’s favorite movie diary, is courting Hollywood. The 30-million-member app is attending $250 million‑sized meetings with Netflix, Sony, Paramount and private equity, and the comments already read like a preemptive obituary for the app’s indie soul.

Dua Lipa just opened a “banned book” library under Porto’s Livraria Lello. It shelves 100 once-censored titles into neat sections called Control, Voice, Memory, and Power. Is it a brave stance, or just pure vibes when every “banned” book can still arrive on your doorstep by tomorrow night?

World Cup players keep cutting holes in their socks. The theory is that slicing open the calf lets the muscle “breathe” and relieves the compression of form-fitting kit — though sports scientists have found zero evidence it does anything. Let’s see if the hypebeasts follow suit.

Mallorca’s Club de Mar reopened with a 1970s nautical reboot. After a five-and-a-half-year redevelopment, designer Marta de la Rica gave Palma’s historic marina high-gloss lacquered wood, red-blue-yellow signal-flag stripes, and vintage Riva glamour, down to the barometers and diving helmets pulled from the club archive. Turns out beige was never seaworthy.

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Edition 31 · July 1, 2026

Pharrell builds a wave while Europe melts.

Aesthetic Study

Hoof Mode

The tabi was fashion’s best-kept secret, except everyone’s in on it now. Nike’s Air Rift revived through a Skims collab, Valentino’s peep-toe Révélé pump, Margiela dupes shipping from Shein in three days. It’s a long way from where it started — a 15th-century Japanese sock split to grip a sandal thong, turned into a rubber-soled work boot by the founders of Bridgestone, then dipped in red paint by Martin Margiela in 1988 so the hoofprints stained his runway. He called it an “invisible” shoe. Everyone else spent the next three decades arguing whether the split toe was chic or just a horse hoof.

The silhouette hasn’t really changed since. Our perception has. What once looked alien has been absorbed into the fashion canon, copied endlessly until the split toe barely registers as strange. And ironically, many of the proudest wearers are the same terminally online crowd forever posting about AI slop, algorithmic sameness, and the death of taste — all walking around in the same weird shoe. A cloven hoof has become less a provocation than a signal that you read the group chat. Part high art, part bovine cosplay. But an inside joke stops working once everyone’s in on it, and the only question left is how much uglier the next so-bad-it’s-good revival will have to be.

  • The invisible shoe Margiela built because he couldn’t afford a new one
  • 15th-century socks to celebrity staple: the full tabi lineage
  • Why 2026 belongs to the ugly, gross, gloriously weird shoe
  • How to actually style a divisive split toe
Cover of Hoof Mode collection
Hoof ModeBy @sequencebycosmos
An image uploaded on Jul 13, 2026.
An image uploaded on Jul 13, 2026.
An image uploaded on Jul 13, 2026.

July 14, 2026·Interview

George & Glenn

The design duo behind EDITION, W Hotels, and Aman on queer history, never specializing, and why their forever inspo is each other.

George & Glenn
George & Glenn

A moment with

George & Glenn

The design duo behind EDITION, W Hotels, and Aman on queer history, never specializing, and why their forever inspo is each other.

In 1980, two former design classmates crossed paths on a sidewalk in Toronto, both hunting for studio space. They decided to share one, and a year later George Yabu and Glenn Pushelberg founded the interior design studio behind the rooms where taste gets decided: The EDITION Hotels, W Hotels, Bergdorf Goodman, and Aman. They're partners in work and in life, and their latest project is more personal: Don’t Stop. Stand Up!, a New York exhibition made with UNAIDS on queer history and the unfinished fight against HIV/AIDS. Here they explain why they'll never specialize, the best investment they've ever made, and why their forever inspo is each other.

What do you do when you hit a creative block?

Glenn: The beauty of having two of us rather than one is that when someone hits a wall, we can feed off each other.

George: When our designers hit a creative roadblock, particularly during the initial concept phase when we are constructing the narrative framework for a project, they look to platforms like Cosmos to reset their perspective. It acts as a curated repository for evocative imagery, and those specific visuals help articulate and anchor the atmospheric direction of our mood boards.

What’s the worst recommendation someone’s given you?

Glenn: Instead of confining ourselves to one niche, we expanded across multiple typologies—from hospitality and residential to retail and restaurants—while integrating disciplines like product design, lighting, styling, art consultancy, and branding. While diversifying so broadly wasn’t considered conventional or strategic when we started, it has proven to be infinitely more fulfilling. It allows us to approach environments holistically, ensuring every layer speaks to the same narrative and shapes how the space is ultimately felt.

George: Early in our careers, we attended a summer program at Harvard’s Graduate School of Design where the prevailing advice was to specialize and hone a single skill. We chose the exact opposite path.

What book have you gifted most?

Glenn: A Little Life by our dear friend Hanya Yanagihara. It’s a devastatingly beautiful book that explores human connection and the complexities of how men navigate communication with one another.

Who is your forever inspo?

Glenn: George.

George: Glenn.

What’s the best investment (money, time, habit) you’ve made?

Glenn: People. The strength of who we are, both as individuals and as a company, comes down to the community we surround ourselves with, from our employees to our closest friends and family. Building a community and genuinely enjoying the people you surround yourself with is the best investment on earth.

Follow Yabu Pushelberg on Instagram and Cosmos.

Object Love

Gore-Tex Fruit Basket

Gore-Tex Fruit Basket

Nicole McLaughlin cut up old Arc’teryx Gore-Tex Pro shells — the kind engineered to keep a climber dry at altitude — and wove the dark brown strips into a fruit basket. It has a single arching handle and the white Arc’teryx bird skeleton stamped on the front, exactly where a summit logo belongs. Inside sits a full still life, each piece hand-sewn from scrap: bananas, grapes, an apple, a pear, an orange — not exactly granola. It was a gift she made for the CEO of Arc’teryx, who, despite his brand’s health goth vibe, couldn’t help but smile.

She’s been the brand’s first-ever design ambassador since 2021, so she gets to make fun of them to their face. Arc’teryx builds jackets as survival equipment — alpine gravitas, a logo that’s literally a fossil. McLaughlin builds volleyballs into shoes, croissants into a bra, chalk bags into sandals, and here takes the most technical fabric on earth and demotes it to pretend produce.

Quick Hits

  • Le Labo made a notebook that smells like Santal 26.
  • Bottega Veneta opened a boutique in Palm Beach.
  • Lego built a World Cup trophy from 1.3 million bricks.
  • Aimé Leon Dore and New Balance go running.
  • Labubu gets a nine-gallery retrospective in Manhattan.

Saddle up,

Tania 🐎