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<n>King</n> (2021) by <n>Peter McRury</n>.

Chair designed by <n>Wendell Castle</n> in 1990.

Attico™ | Brand Identity | '24 - Alejo Pinto

<n>Lunita-July Dorn</n>'s painting, <n>Self-portrait (in my head)</n> (2022). Photo by <n>Lucia Jost</n>.

<n>Still Life</n> (2013), a painting by <n>John Zurier</n>.

John Zurier: 'Once I get there, I Know Where I am'

The <n>Ugly</n> font by <n>White Russian Studio</n>.

<n>GROUP Font</n>, a collection of glyphs and symbols by designer <n>Aaron Lowell Denton</n>.

<n>La Perla</n>'s <n>Alida Leavers lace and stretch-tulle underwired bra</n>.

The <n>Sidewalk Flowers</n> perfume by <n>Anomalia Paris</n>, from the <n>Olfactory Signals 01</n> event.

The <n>Jardim</n> residential project, a <n>mid-century modern</n> dining room. Design and photo by <n>Sebastian Zuchowicki</n>.

<n>Untitled (Blue)</n>, 2020, by <n>Curly Mayana</n>.

The <n>Retiro de Yoga en Mas de Borràs</n> takes place in Castellón, Spain in October 2025.

A piece from the <n>Abstract Gradients</n> series by designer <n>Shobhit Srivastava</n>.

Minimalist poster for the film <n>Helvetica</n> by <n>Zeroingdown</n>.

<n>Blooming Series</n> by <n>Kamila Solarz</n>.

Crocodile-embossed lambskin detail from the <n>Knot</n> handbag by <n>Bottega Veneta</n>.

<n>Future West 2084</n>, a cover story for <n>Sixteen World</n>.