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A digital composite from the <n>Count for Nothing</n> series by artist <n>Katrin Korfmann</n>, shot in New York.

<n>Erwin Wurm</n>'s 2003 work, <n>Instructions on how to be politically incorrect</n>.

The photographic work <n>self sabotage</n>.

An array of minimalist looks from Finnish brand <n>Nomen Nescio</n>.

Album art for <n>Jules Venturini</n>'s 2017 release <n>Whities 014</n> on <n>AD 93</n>. Design by <n>Alex McCullough</n> and <n>Studio Pensom</n>.

The <n>Mechanism Late Drop</n> from cycling apparel brand <n>Pas Normal Studios</n>.

Brand identity for youth organization <n>FLOR</n> by <n>Barkas</n>, with typography by <n>Out Of The Dark</n>.

<n>Seulgi</n> of <n>Red Velvet</n> in <n>Shushu/Tong</n> for the 2023 album '<n>Chill Kill</n>'. Photo by <n>Cho Giseok</n>.

An outtake from the <n>Overture</n> project by artists <n>Synchrodogs</n>.

The <n>S/LAB PHANTASM 2</n> running shoe by <n>Salomon</n>. Photo by <n>Tom Silvester (atgni)</n>.

Cover art for the book <n>Maske</n> by <n>Aslı Arslan</n> and <n>Phiec</n>'s single <n>Я без тебя</n>.

<n>Unique Red Butterfly</n> (2015), an acrylic on canvas painting by the artist <n>Marina</n>.

<n>Divisor</n> (1968), a performance piece by artist <n>Lygia Pape</n>, originally staged in Rio de Janeiro.

<n>Frauenhände</n> (1934) by photographer <n>Karl Krüger</n>.

A photograph for <n>SALON DE CASSÉ</n> by photographer <n>Cho Gi-Seok</n>.

From <n>Neon Genesis Evangelion</n> (1995) or <n>The End of Evangelion</n> (1997).

<n>Hoja Elegante, Mexico</n> (1992), a photograph by <n>Flor Garduño</n>.

<n>Angel with broken wings</n> (2009) by photographer <n>a-arsalan</n>.

From the <n>Portraits of 'Ao Dai'</n> series by artist <n>Chiron Duong</n>, featuring model <n>Thanh Ngo</n>.

A submission to the <n>chromebattle</n> challenge by visual artist <n>existential gore</n>.

Photograph of dancer <n>Melissa Hamilton</n> by <n>Spiros Politis</n> for the series <n>The Man Machine</n>, 2015.

An editorial for <n>Vogue Russia</n> featuring <n>Annur Clothes</n>, 2019.