The <n>Giza pyramid complex</n> in Egypt, circa 1865.

<n>Alvar Aalto</n>'s <n>Stool 60</n> for <n>Artek</n> at the <n>Work & Co Office</n> in Copenhagen. Photo by <n>Rasmus Dengsø</n>.

<n>Casa FT</n> by <n>HRTD Hurtado Arquitectos</n> in Pichincha, Ecuador. Photo by <n>JAG Studio</n>.

<n>Silence</n>, a sculpture by <n>Mathieu Nab</n>. Photo by <n>Fleur Bult</n>.

If AI ever allows us to understand ourselves truly, it will not be because these algorithms captured the mechanical essence of the human mind. It will be because they liberated us to forget about optimization and to instead focus on what truly makes us human: loving and being loved.
Dr. Kai-Fu Lee

Moodboard for the <n>J.Crew</n> Fall collection.

A collection of art books in a Brooklyn Heights interior, styled by <n>Colin King</n>.

<n>Rainbow and Lightning</n> (2008), a photograph by <n>Kevin Cooley</n>.

A conceptual photograph by <n>Chema Madoz</n>.

From the <n>ARKET</n> Spring/Summer 2025 lookbook. Photo by <n>Pamela Dimitrov</n> and <n>Deo Suveera</n>.

The <n>Zero – Warm Gray</n> rug by <n>Nordic Knots</n>. Photo by <n>Ragnar Ómarsson</n>, styled by <n>Pella Hedeby</n>.

<n>Everything I Wish I Could Be</n> by artist <n>Kent Rogowski</n>.

A detail of a <n>Rojo Indio</n> suit in Super 130s Italian fabric, from <n>Pitti Uomo</n>.

The <n>Hypostyle Hall</n> at the <n>Temple of Amun-Re</n> in Karnak, Egypt, built c. 1250 BCE during the New Kingdom.

The <n>Kappe Residence</n> in Los Angeles, a <n>mid-century modern</n> home designed by architect <n>Ray Kappe</n>.

<n>Toe Dip</n>, a 2017 painting by <n>Giordanne Salley</n>.

PAPER - COSE JOURNAL II - DESK by <n>Lara Angelil</n> for <n>Cose Journal</n>. Creative direction by <n>Giulia Nardi</n>.

Photo by <n>Maria Fernanda Gonzalez</n>. Makeup by <n>Nora🌿</n>.

<n>Anish Kapoor</n>'s sculpture <n>Untitled</n> (2007), exhibited at <n>Regen Projects</n>. Photo by <n>Joshua White</n>.