Digitalization

Серые сохры, сохраненки, эстетика 🌿

<n>BE THERE OR BE SQUARE</n> by <n>Aram Bartholl</n> at <n>LINZ FMR 23</n>. Photo by <n>Gregor Hartl</n>.

Generative artwork <n>MOIDA</n>, created using the Processing language for creative coding.

Digital animation <n>NR8</n> by <n>MB Pixels</n>, an interpretation of <n>Vermeer</n>'s <n>Girl with a Pearl Earring</n>.

<n>Kilohydra 1</n> by <n>Addie Wagenknecht</n>, a 2014 photograph of a Wikileaks server farm in Iceland.

An animated GIF created with code by artist <n>Etienne Jacob</n> in 2019.

Artwork from the music video for the song <n>Angels :'( Wine</n> by <n>DoesntCare2Know</n>.

A generative artwork by <n>Sébastien Champinot</n>.

The <n>Spot</n> robot by <n>Boston Dynamics</n>.

A still from the 2020 music video for <n>Moses Boyd</n>'s "<n>Stranger Than Fiction</n>", directed by <n>in/out</n>.

Large Exhibition Card for the graphic work of GRAPHIC TEAM in 1967

The digital artwork <n>Losing Grip</n> by visual artist <n>Polygon1993</n>.

<n>NetJets Signature Series Challenger 350</n> customized by <n>Snarkitecture</n> for <n>Art Basel Miami Beach</n> 2015. Photo by <n>James Law</n>.

<n>Contour</n> (2003), a generative artwork by <n>Marius Watz</n>.

Kinetic typography of the Chinese character <n>虎 (hǔ)</n>, meaning tiger.

<n>Video Dress</n> from <n>Hussein Chalayan</n>'s Fall/Winter 2007 collection.

<n>Locomotive</n>'s brand identity, designed by <n>Tomorrow</n>, featuring the <n>PP Editorial New</n> typeface.

<n>Novelty Waves 5 (NW5-63)</n> by <n>Frender</n>.