A calligraphy piece titled <n>untitled_Mondrian</n>.

From <n>Auden</n>, a vintage collection founded by <n>Sarah Shabacon</n>.

<n>Sangallo Serif</n>, a custom typeface by <n>Due Studio</n> for the <n>Biblioteca Comunale degli Intronati of Siena</n>.

A journal spread titled <n>love reflected like a mirror</n>.

The <n>Romie Regular</n> typeface, designed by <n>Margot Lévêque</n>.

<n>Echo Pavilion</n> by <n>Pezo Von Ellrichsausen</n> at <n>Palazzo Litta</n>, Milan. Photo by <n>Alex Lesage</n>, 2019.

Photo by architect <n>Juan Simon Quintero</n>.

The <n>Saol</n> typeface, a Victorian serif by <n>Schick Toikka</n>.

A photograph by <n>Timothée Crettaz</n> of <n>Cornland Studio</n>.

The interior of <n>Grundtvig's Church</n> in Copenhagen. Photo by <n>Alexander Schlosser</n>.

Custom lettering for <n>Tatsurō Yamashita</n>'s song <n>Fragile</n>, created by designer <n>Mathieu Boyard</n>.

# remember how it used to snow?





{daily fragments}

Visual for the <n>Right Grotesk Mono</n> typeface by <n>Alex Slobzheninov</n> for <n>Pangram Pangram® Foundry</n>.

Abandoned interior in <n>Tuscany</n>, <n>Italy</n>. Photo by <n>Matteo Capirola</n>.

The cryptoportico at the <n>Royal Palace of Caserta</n> in Italy. Photo by <n>Francesco Lagnese</n>.

The <n>Fendi Headquarters</n> in Rome. Photo by <n>MARTA BERMEJO</n>.

The <n>Palazzo della Civiltà Italiana</n> in Rome, designed by <n>Giovanni Guerrini</n>, <n>Ernesto Bruno La Padula</n>, and <n>Mario Romano</n>.

<n>Ceraph</n>, a debut typeface by designer <n>Emma Piercy</n>, coming soon from <n>Sharp Type</n>.

A gallery in the <n>Palazzo Valguarnera-Gangi</n> in Palermo, Sicily. Photo by <n>Miguel Flores-Vianna</n>.