LIBRETAS

Cartazes para Fito Paez no Brasil - Max Rompo

Visual identity by <n>TSTO</n> for the 60th anniversary of <n>Marimekko</n>'s iconic <n>Unikko</n> pattern.

Poster for the 1965 <n>Premio Nacional Instituto Torcuato Di Tella</n>, designed by <n>Juan Carlos Distéfano</n>.

<n>Mechanical stage design</n> (1925-1926) by <n>Bauhaus</n> artist <n>Joost Schmidt</n>.

<n>Untitled</n> (1970-71), a <n>Concrete Art</n> painting by <n>Verena Loewensberg</n>.

<n>Poster Fiori 01</n> by graphic designer <n>Meritxell Casamira</n> for her studio <n>Fatamadrina</n>.

<n>Phases of a Slinky 2</n> by <n>Chad Kouri</n>, 2014.

The 1967 exhibition catalog for Canada at the <n>Sao Paulo IX Biennial</n>, designed by <n>Paul Arthur + Associates</n>.

Figures from the <n>Kritik</n> typeface by <n>Type Department</n>.

Branding refresh for <n>Odara Comunicação Criativa</n> by <n>Monga Design</n>, inspired by Brazilian tropicalism.

<n>Geschäftsgrundsätze der Wanner-Gruppe</n> poster designed by <n>Armin Hofmann</n> in 1964.

<n>Bauhaus Exhibition</n>, a 2022 poster by <n>Pop Art World</n> referencing the original 1923 exhibition.

The <n>Bauhaus Eye Poster</n> by <n>Postery</n>.

<n>Paisagem Cândida</n>, an editorial project by artist <n>Manuel Tainha</n> from 2016-2020.

Poster by <n>Aaron Lowell Denton</n> for a 2018 concert with <n>The War on Drugs</n> and <n>Slowdive</n> in London.

<n>Untitled</n> (1975) by Moroccan artist <n>Mohamed Melehi</n>.

Berlin posters – Snygga Art Prints från Berlin - Printler

"<n>Brazuca</n>," a typographic poster by artist <n>Mel Cerri</n> celebrating her home country, Brazil.

Cover design for the February 1960 issue of <n>Typographische Monatsblätter</n> by <n>Emil Ruder</n>.

A poster by <n>Philip Rempel</n> featuring <n>The Bachelor Chair</n>, designed by <n>Verner Panton</n> in 1955.