elisabetta]

Alphabets old and new, for the use of craftsmen : Day, Lewis Foreman, 1845-1910 : Free Download, Borrow, and Streaming : Internet Archive

A graphic design featuring <n>Giovanni Battista Tiepolo</n>'s painting <n>The Chariot of Aurora</n>.

Promotional graphic for the <n>Rokurou Display Font</n> by <n>Damelv Studio</n>, featuring works by <n>Édouard Manet</n> and <n>David Roberts</n>.

The <n>Art Nouveau</n>-inspired font <n>Bagerich</n>, designed by <n>Reza Rasenda</n> and <n>Riska Candra Dewi</n>.

<n>Letter E</n> (ca. 1650), a <n>Baroque</n> engraving designed by <n>Jan Chrystian Bierpfaff</n> and engraved by <n>Jeremiasz Falck</n>.

The <n>Tiemann Reviæval</n> typeface by <n>J. Hunor Vári</n> is a revival of <n>Walter Tiemann</n>'s <n>Tiemann Mediaeval</n>.

The <n>Lenora</n> and <n>Lenora Grade</n> font family designed by <n>Vojtěch Říha</n> for <n>Superior Type</n>.

Launch event poster for jewelry brand <n>ÅYO</n> at Riche, Lilla Baren in Stockholm, 2021.

Does spirituality have what it takes to change design for the better?

Typeface specimen from <n>Superior Type</n> with fonts by <n>Vojtěch Říha</n>, <n>Matyáš Machat</n>, and <n>Rostislav Vanek</n>.

<n>Still Life with Breams, Oranges, Garlic, Seasoning and Kitchen Utensils</n> (c. 1772) by <n>Luis Egidio Meléndez</n>.

Poster for the <n>Digital Art & Design Typography</n> exhibition at <n>SunMoon. Alternative Art Gallery</n> in 2016.

The <n>Blake 2.0</n> display typeface, designed by <n>Barrett RM Type</n>.