Print layouts for <n>XSPERIENZA VINI D’AUTORE</n> by <n>Koyaanisqatsi Collective</n> using the <n>Belle de Mai</n> typeface.

Alphabets old and new, for the use of craftsmen : Day, Lewis Foreman, 1845-1910 : Free Download, Borrow, and Streaming : Internet Archive

Title: Why I worship the Feminine. |

<n>Formentera Blend</n>, an AI-generated architectural concept by designer <n>Carlos Bañon Blazquez</n>.

Graphic design poster <n>Chariot</n> by <n>MARCA STU</n>, featuring a 1760s sketch by <n>Giovanni Battista Tiepolo</n>.

Type Showcase No.07 celebrates typographers <n>Susan Kare</n>, <n>Carol Twombly</n>, <n>Corita Kent</n>, and <n>Zuzana Licko</n> for Women's History Month.

Promotional graphic for the <n>Rokurou Display Font</n> by <n>Damelv Studio</n>, featuring works by <n>Édouard Manet</n> and <n>David Roberts</n>.

A <n>birch tree</n> in Sosnitsa, Russia, known for its resemblance to a human figure.

The <n>Art Nouveau</n>-inspired font <n>Bagerich</n>, designed by <n>Reza Rasenda</n> and <n>Riska Candra Dewi</n>.

<n>Letter E</n> (ca. 1650), a <n>Baroque</n> engraving designed by <n>Jan Chrystian Bierpfaff</n> and engraved by <n>Jeremiasz Falck</n>.

The <n>Tiemann Reviæval</n> typeface by <n>J. Hunor Vári</n> is a revival of <n>Walter Tiemann</n>'s <n>Tiemann Mediaeval</n>.

<n>Art Deco</n> poster by <n>Sven Brasch</n> for the 1919 film <n>His Parisian Wife</n> starring <n>Elsie Ferguson</n>.

An 1896 X-ray of hand blood vessels by anatomist <n>Hermann Braus</n>.

The <n>Lenora</n> and <n>Lenora Grade</n> font family designed by <n>Vojtěch Říha</n> for <n>Superior Type</n>.

Launch event poster for jewelry brand <n>ÅYO</n> at Riche, Lilla Baren in Stockholm, 2021.

Typographic print for <n>E Cantoe d'Cantoes d'Salomon</n> by artist <n>Louis Jou</n>.

Poster titled <n>The Visibility of Women in Graphic Design</n>.

The <n>Natural Classrooms</n> concept for Kenya, an AI-generated work by architect <n>Carlos Bañon Blazquez</n>.

A <n>Virtual Cob House Design</n> concept by <n>Our Virtual Sanctuary</n>.

Does spirituality have what it takes to change design for the better?

Pages from <n>Kinfolk Issue 40</n> featuring <n>Fan Bingbing</n>. Words by <n>Lavender Au</n>, photo by <n>Jumbo Tsui</n>.

The <n>Organic House</n> in Mexico, designed by architect <n>Javier Senosiain</n> in 1984. Photo by <n>Jaime Jacott</n>.

Typeface specimen from <n>Superior Type</n> with fonts by <n>Vojtěch Říha</n>, <n>Matyáš Machat</n>, and <n>Rostislav Vanek</n>.

<n>Still Life with Breams, Oranges, Garlic, Seasoning and Kitchen Utensils</n> (c. 1772) by <n>Luis Egidio Meléndez</n>.

Poster for the <n>Digital Art & Design Typography</n> exhibition at <n>SunMoon. Alternative Art Gallery</n> in 2016.

The <n>Blake 2.0</n> typeface, designed by <n>Barrett RM</n>.