Outland

Cover for <n>Carl Friedrich Gauss: A Biography</n> by <n>Tord Hall</n>, designed by <n>Muriel Cooper</n> for <n>The MIT Press</n>, 1970.

<n>Printed Matter Membership Icons</n> designed by <n>Laurel Schwulst</n> for <n>Printed Matter, Inc.</n> in 2018.

The digital artwork <n>Murrieta Wells</n>.

To those in the arena building the future...

A logo from the Japanese publication <n>Trademarks, Symbolmarks & Logotypes 1980-81</n>, via <n>LogoArchive</n>.

Absolutely mesmerized by the @variantui landing page...

<n>Self-love is never selfish</n>, a 2022 graphic design.

Geometric design of the number 3 by <n>alinarybacka</n> for the <n>36 Days of Type</n> challenge.

License Heder Instrumental by Digital Moss | Audiio

https://audiio.com/digital-moss/heder/heder-instrumental

<n>X-ray Diffraction Pattern of Beryl</n>. Photo by <n>Lane</n>, <n>Eastman Kodak Company</n>.

Recent marks & lettermarks. Which one is your favorite?

Album art for the <n>xzxzxz - EP</n> by <n>lefthandsoundsystem</n>.

<n>Logo concept</n> by <n>Obrazur Brands</n>.

<n>Calculation 12</n> by artist <n>Rafael Araujo</n>.

<n>Passage de Vénus sur le soleil</n>, an illustration of the <n>1874 Transit of Venus</n> from <n>La Nature</n>.

Visual research for the <n>Visualising AI</n> project by <n>Google Deepmind</n> and <n>Bakken & Bæck</n>.

<n>Never trap your energy</n>, a digital illustration by <n>Estefania Loret de Mola</n>.

Cover of the 1973 monograph on <n>Yusaku Kamekura</n>, featuring his logo for the <n>World Design Conference '73</n>.

<n>the shape of me</n> by <n>Cardboard Cranium</n>.

<n>The North Face: Basecamp</n> concept store branding by <n>Edoardo Benaglia</n>.

The poster <n>feedback loops</n> by <n>Studio Triple</n>.