The <n>KONOS Portable Lamp</n> by <n>Limas</n>.

<n>Ralph Fiennes</n> and <n>Saoirse Ronan</n> in <n>The Grand Budapest Hotel</n> (2014), directed by <n>Wes Anderson</n>.

<n>Ten Years Of Summer</n>, a collage of sunset photos by <n>Matias Alonso Revelli</n>.

Floral photograph by <n>Andrea Hamilton</n>.

<n>White Flowers And Sparkling Water</n> from <n>Stocksy</n>.

The <n>Lucky Clover Cat</n> meme, first posted online in 2016.

The Point of Power is in the Present, an illustration by <n>BY ILARI</n>.

<n>In the Mood for Love</n> (2011), a lightbox artwork by artist <n>Clare Samuel</n>.

<n>Out of Gamut</n> by photographer <n>Russell Holliday</n>.

A still from the 1966 film <n>The Face of Another</n>.

Good design is simple. You hear this from math to painting. In math it means that a shorter proof tends to be a better one. Where axioms are concerned, especially, less is more. It means much the same thing in programming. For architects and designers it means that beauty should depend on a few carefully chosen structural elements rather than a profusion of superficial ornament. (Ornament is not in itself bad, only when it's camouflage on insipid form.) Similarly, in painting, a still life of a few carefully observed and solidly modelled objects will tend to be more interesting than a stretch of flashy but mindlessly repetitive painting of, say, a lace collar. In writing it means: say what you mean and say it briefly.

Polaroid of a white flower by <n>Mathieu Trautmann</n>.

Artwork by <n>Marius Troy</n>, October 2023.

Infographic <n>Three States of Living</n> by <n>ICI ET NU</n>.

A bedroom in <n>Casa Soleto</n>, designed by <n>Studio Andrew Trotter</n> and <n>Marcelo Martínez</n>. Photo by <n>Salva López</n>.

Digital artwork titled <n>Gogol</n> by artist <n>Timur Mitin</n>.

<n>We the Living</n>, 2015, by artists <n>Hollie Miller</n> and <n>Craig Scott</n>.

Fig. 60: <n>Past, Present, Future</n> by <n>RESET NAIL STUDIO</n>.