paintings

Illustration of a Martian fighting machine by <n>Henrique Alvim Corrêa</n> for <n>H.G. Wells</n>' <n>The War of the Worlds</n> (1906).

Illustration by <n>Kay Nielsen</n> for the 1914 book <n>East of the Sun and West of the Moon</n>.

An illustration by <n>Albert Robida</n> from his 1890 novel <n>La vie électrique</n>.

A colored woodcut from <n>Geometria et Perspectiva, Plate 4</n> (1567) by artist <n>Lorenz Stoer</n>.

Illustration by <n>Kay Nielsen</n> from <n>East of the Sun and West of the Moon</n> (1914).

A page of engravings from <n>Emblems Ancient and Modern</n> (1699) by <n>John R. Pine</n>.

<n>Geometria et Perspectiva: VI</n>, a 1567 hand-coloured woodcut by artist <n>Lorenz Stoer</n>.

An illustration for <n>La guerre des mondes</n> (1906) by artist <n>Henrique Alvim Corrêa</n>.

<n>Käthe Kollwitz</n>'s 1907 print, <n>Raped</n>, from the <n>Peasants' War</n> cycle.

Photographer <n>Julia Margaret Cameron</n>'s 1866 portrait, <n>Christabel</n>, featuring her niece <n>May Prinsep</n>.

<n>The Grand Piazza</n> (1761), an etching by <n>Giovanni Battista Piranesi</n> from his <n>Carceri d'invenzione</n> series.

<n>À l'horizon l'Ange des Certitudes...</n> (1882), a lithograph by <n>Odilon Redon</n> for his series <n>À Edgar Poe</n>.

<n>The Harbor</n> (ca. 1935) by artist <n>Josef Presser</n>.

A 1651 vanitas painting by <n>David Bailly</n>, <n>Self-Portrait with Vanitas Symbols</n>.

<n>Lady Lilith</n> (1867), a <n>Pre-Raphaelite</n> watercolor by <n>Dante Gabriel Rossetti</n> featuring model <n>Alexa Wilding</n>.

<n>Sunflowers</n> (1887), a painting by <n>Vincent van Gogh</n>.

<n>The Eye, like a strange balloon, moves towards infinity</n> (1882), a lithograph by <n>Odilon Redon</n>.

Woodcut "<n>Geometria et Perspectiva: IV</n>" (1567) by artist <n>Lorenz Stöer</n>.

Illustration from <n>Albert A. Hopkins</n>'s 1897 book <n>Magic: Stage Illusions and Scientific Diversions</n>.

An 1870 illustration by <n>Émile-Antoine Bayard</n> and <n>Alphonse de Neuville</n> for <n>Jules Verne</n>'s novel <n>Around the Moon</n>.

<n>Punch among the Planets</n>, an 1877 illustration by <n>Linley Sambourne</n> for <n>Punch's Almanack</n>.

<n>Venice: Night of the Festival of the Redeemer</n> (1903) by <n>Henri-Edmond Cross</n>.

<n>The Giant Wheel</n> (1761) by <n>Giovanni Battista Piranesi</n> from his <n>Carceri d'invenzione</n> series.

<n>Choosing the Dinner</n> (1872) by <n>Alexandre-Louis Leloir</n>.

<n>Cupid's Hunting Fields</n> (1885) by <n>Pre-Raphaelite</n> artist <n>Sir Edward Coley Burne-Jones</n>.

<n>Omnibus</n>, an 1892 etching by <n>Anders Zorn</n>.

<n>The Strange Thing Little Kiosai Saw in the River</n> (1897) by <n>John La Farge</n>.

Plate 8 from <n>Geometria et Perspectiva</n> (1567), a hand-colored woodcut by artist <n>Lorenz Stoer</n>.

A 1567 woodcut by <n>Lorenz Stoer</n> from his series <n>Geometria et Perspectiva</n>.

Illustration by <n>Henrique Alvim Corrêa</n> for <n>H.G. Wells</n>'s novel <n>The War of the Worlds</n> (1906).

<n>Katedra</n> (1984) by <n>Marcin Kołpanowicz</n>.

<n>Purgatorio, Canto IX</n>, a lithograph by artist <n>Francesco Scaramuzza</n> from circa 1850.

<n>View from the Artist's Window, Grove Street</n> (ca. 1888) by <n>Robert Frederick Blum</n>.