A depiction of a <n>Harpy</n>, a creature from mythology.

A 1923 lithograph by <n>Issachar Ber Ryback</n> from his series <n>Shtetl, My Destroyed Home: A Remembrance</n>.

Illustration by <n>Kay Nielsen</n> for the 1914 book <n>East of the Sun and West of the Moon</n>.

An illustration by <n>Albert Robida</n> from his 1890 novel <n>La vie électrique</n>.

<n>Le Christ sortant du tombeau</n> (1869) by <n>Gustave Doré</n>.

Illustration by <n>Kay Nielsen</n> from <n>East of the Sun and West of the Moon</n> (1914).

An illustration by <n>Albert Robida</n> from his 1890 book, <n>La vie électrique</n>.

Illustration by <n>Harry Clarke</n> for <n>Edgar Allan Poe</n>'s <n>The Facts in the Case of M. Valdemar</n>, 1919.

<n>Blowing bubbles girl at a vanitas still life</n>, a <n>vanitas</n> painting in the manner of <n>Adriaen van der Werff</n>.

A page of engravings from <n>Emblems Ancient and Modern</n> (1699) by <n>John R. Pine</n>.

An illustration for <n>La guerre des mondes</n> (1906) by artist <n>Henrique Alvim Corrêa</n>.

<n>The Dream of Pilate's Wife</n> (1879), an engraving by <n>Alphonse François</n> after <n>Gustave Doré</n>.

Untitled collage by <n>John Bingley Garland</n>, created circa 1850-1860.

<n>The Grand Piazza</n> (1761), an etching by <n>Giovanni Battista Piranesi</n> from his <n>Carceri d'invenzione</n> series.

<n>Gustave Doré</n>'s 1877 drawing, "<n>The Calling of Samuel</n>."

A 1651 vanitas painting by <n>David Bailly</n>, <n>Self-Portrait with Vanitas Symbols</n>.

<n>Durenstein!</n>, a collage from <n>The Blood Book</n> by artist <n>John Bingley Garland</n>, ca. 1850-60.

Illustration from <n>Albert A. Hopkins</n>'s 1897 book <n>Magic: Stage Illusions and Scientific Diversions</n>.

An 1870 illustration by <n>Émile-Antoine Bayard</n> and <n>Alphonse de Neuville</n> for <n>Jules Verne</n>'s novel <n>Around the Moon</n>.

<n>Punch among the Planets</n>, an 1877 illustration by <n>Linley Sambourne</n> for <n>Punch's Almanack</n>.

<n>Gustave Doré</n>'s 1867 engraving, <n>The Sparkling Circles of the Heavenly Host</n>, for <n>Dante Alighieri</n>'s <n>Paradiso</n>.

<n>Venice: Night of the Festival of the Redeemer</n> (1903) by <n>Henri-Edmond Cross</n>.

<n>The Nightmare</n> (1781), an oil on canvas painting by artist <n>Henry Fuseli</n>.

<n>The Giant Wheel</n> (1761) by <n>Giovanni Battista Piranesi</n> from his <n>Carceri d'invenzione</n> series.

<n>Choosing the Dinner</n> (1872) by <n>Alexandre-Louis Leloir</n>.

Illustration by <n>Henri Toussaint</n> and <n>Fortuné Méaulle</n> from <n>Camille Flammarion</n>'s 1894 novel <n>Omega: The Last Days of the World</n>.

<n>Omnibus</n>, an 1892 etching by <n>Anders Zorn</n>.

<n>The Towns Behind the Marsh</n>, a 1868 lithograph by French artist <n>Rodolphe Bresdin</n>.

<n>The Absinthe Drinker</n> (1901) by <n>Picasso</n>.

Illustration by <n>Henrique Alvim Corrêa</n> for <n>H.G. Wells</n>'s novel <n>The War of the Worlds</n> (1906).

<n>Katedra</n> (1984) by <n>Marcin Kołpanowicz</n>.

<n>Purgatorio, Canto IX</n>, a lithograph by artist <n>Francesco Scaramuzza</n> from circa 1850.

<n>View from the Artist's Window, Grove Street</n> (ca. 1888) by <n>Robert Frederick Blum</n>.