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<n>GROWTH</n> by <n>Klára Hosnedlová</n> at <n>Kunsthalle Basel</n>, 2024. Photo by <n>Zdeněk Porcal</n> of <n>Studio Flusser</n>.

<n>sunrise* sunset</n> by <n>Ryan Carl</n>, 2019.

Digital artwork "<n>Only Time Will Tell</n>" serves as cover art for musician <n>Ameari</n>.

<n>Delphinium</n> (2018), a photograph by artist <n>Sarah Meyohas</n>.

Photograph by <n>Daniel Molina</n> in collaboration with <n>Cèlia Andrés Studio</n>.

A still from the 1977 film <n>Torse</n> by <n>Charles Atlas</n>, featuring the <n>Merce Cunningham Dance Company</n>.

🎬Lady Snowblood (1973)  
Dir : Toshiya Fujita

Actor <n>Alain Delon</n> photographed by <n>Jack Garofalo</n> in Venice, 1962.

A robotic mouth developed by engineers at <n>Columbia University</n> that mimics human speech.

<n>Dirty chairs</n>, a sculpture by <n>Aléa Work</n> made from recycled paper and mycelium.

A still from the 1972 film <n>The Blood Spattered Bride</n> with <n>Maribel Martín</n> and <n>Alexandra Bastedo</n>.

Cultural figure <n>Michèle Lamy</n> featured in a meme by <n>Archived Dreams</n>.

Doodles by artist <n>David Vander Leeuw</n>.

The <n>Stainless Steel and Glass House</n> in Chicago, designed by <n>Krueck + Sexton Architects</n> in 1981. Photo by <n>William Kildow</n>.

Amazing 80s Interiors, and the Furniture That Was Made for Them, Now On View at Volume - Sight Unseen

𝒞𝒶𝓂ℯ𝓇ℴ𝓃 & 𝒞𝓁𝒶𝓊𝒹𝒾𝒶

Photo by <n>Marc Riboud</n>, Tokyo, 1958. Cover of <n>Seichō Matsumoto</n>'s <n>Inspector Imanishi Investigates</n>.

Installation view of <n>Uffe Isolotto</n>'s <n>We Walked the Earth</n> at the Danish Pavilion for the <n>59th Venice Biennale</n>, 2022.

<n>Arthur Jafa</n>'s sculpture <n>LeRage</n> (2013), shown at the <n>Ruffneck Constructivists</n> exhibition.

The digital illustration <n>Understand Me</n>.

<n>Diving Bird</n> by artist <n>Erika Giovanna Klien</n>.

<n>Robert Smithson</n>'s sculpture <n>Leaning Mirror</n> (1969) at <n>Dia Art Foundation</n>, with works by <n>Donald Judd</n>.

An installation by artist <n>Haroon Mirza</n>.

<n>Volute Blanche sur Fond Noir</n> (2016) by artist <n>Nadia Mehadji</n>.

A still from <n>Nagisa Oshima</n>'s 1969 film, <n>Diary of a Shinjuku Thief</n>.