A calligraphy plate from <n>The Origin of the Serif</n> by <n>Edward Catich</n>.

Calligraphy by artist <n>Ilya Bogdesko</n>.

Untitled (1966) by artist <n>Francesca Biasetton</n>.

Album art for musician <n>Monochrome</n>.

<n>Francesca Biasetton</n>'s calligraphy work, <n>Two bodies</n>, 2001.

Calligraphy by German artist <n>Karlgeorg Hoefer</n>.

Calligraphy by <n>Pedro Díaz Morante</n>, created in Madrid, 1616.

“As the present world approaches its end, the world of eternity looms nearer. […] The end of the world merges with the beginning of eternal life. […] The spiritual world is moving closer to us, manifesting itself through visions and revelations.”

Saint Gregory the Dialogist

A plate from <n>Letters redrawn from the Trajan inscription in Rome</n> by <n>Edward M. Catich</n>, 1961.

We are entering the age of prompt alchemy.

An interview with <n>Maison Martin Margiela</n> for the publication <n>View on Colour</n>, 1998.

<n>Harald Schroeder</n>'s calligraphic work, <n>Über das Sehen und Tun...</n>, 1990.

Calligraphy by <n>Vasyl Chebanyk</n> for the poetry collection <n>Десь на дні мого серця</n>, 1991.

<n>X-ray Diffraction Pattern of Beryl</n>. Photo by <n>Lane</n>, <n>Eastman Kodak Company</n>.

<n>Heute ist die gemeinsame Sprache der Menschheit ...</n> (1996) by <n>Mari Emily Bohley</n>.

“Drink Holy Water as often as possible. It's the best and most effective medicine. I say this not as a bishop, but as a doctor, from my experience in medicine.”

Saint Luke the Doctor

Brush-written letter Q by <n>Edward Catich</n>, 1959.

<n>Warum verzweifeln</n> (1984) by <n>Hermann Kilian</n>, with text from <n>Raoul Follereau</n>.

o.T. (Untitled), a 1990 calligraphy by <n>Reiner Seibold</n> from the <n>Berlin Calligraphy Collection</n>.

« L’honneur rendu à l’image s’en va au modèle original. »

Saint Basile le Grand

Envelope with calligraphy by <n>Jean Larcher</n> for the <n>Centre Régional de l'Ecriture et des Arts du Livre</n>, 1985.

A 1659 calligraphy specimen by French writing master <n>Louis Barbedor</n>.