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<n>C-Curve</n>, 1988, by photographer <n>Herb Ritts</n>.

Photo by <n>Lorenz</n> with makeup by <n>Amelie Moutia</n>.

<n>Morning Stretch</n>, an ink painting by <n>Endre Penovác</n> from 2017.

<n>Frecuencia Bench</n> by <n>Hector Esrawe</n>, 2019.

Model <n>Valentina</n> for <n>Schön! Magazine</n>'s 'quaintrelle' editorial. Photo by <n>Baturalp Yılmaz</n>.

Photographer <n>Tony Vaccaro</n>'s 1960 portrait of artist <n>Georgia O'Keeffe</n> with her 1944 painting <n>Pelvis Series, Red with Yellow</n> in New Mexico.

Model <n>Jaco van den Hoven</n> photographed by <n>Wendelien Daan</n>.

<n>Milkweed</n> (1955) by artist <n>Lee Krasner</n>.

Models <n>Ryo</n> and <n>Marceau</n> wear <n>Louis Vuitton</n> for an editorial in <n>SSAW Magazine</n>.

The <n>PFD Puffer Jacket</n> from <n>Entire Studios</n>' Fall/Winter 2022 collection.

<n>Lee Krasner</n>'s collage painting, <n>Imperfect Indicative</n>, from 1976.

<n>La Danse</n> (1948) by <n>Henri Matisse</n>.

A photograph representing the research-artistic group <n>Cat's Cradle Collective</n>.

A still of <n>Jennifer Connelly</n> in <n>Darren Aronofsky</n>'s 2000 film <n>Requiem for a Dream</n>.

<n>A II (Arm)</n> by <n>László Moholy-Nagy</n>, 1925.

Model <n>Binx Walton</n> photographed by <n>Stef Mitchell</n> for <n>i-D Magazine</n> Summer 2021.

<n>Clyfford Still Museum</n> in Denver, designed by <n>Allied Works Architecture</n>. Photo by <n>Jeremy Bittermann</n>.

Footwear from <n>Charlie Constantinou</n>'s FW 2022 collection.

<n>Meditation on the Unseen</n>, 2013, by artist <n>Roi James</n>.

<n>La Mari Lamp</n>, crafted from plaster sheets. Photo by <n>Paul Miller</n>.