Digital totem for <n>BAM</n> in <n>Porta Nuova, Milan</n>, with design from <n>Interbrand</n> and <n>Coima Image</n>.

Ohrstücke (Ear Pieces) by <n>Gerd Rothmann</n>, 1978.

<n>sombra slipmat</n> with design by <n>Bráulio Amado</n>.

The <n>Colani TV 70-2000</n> with its <n>Colani-Säule</n> stand, designed by <n>Luigi Colani</n> in 1992.

Album cover for <n>Bauhaus</n>'s '<n>Press The Eject And Give Me The Tape</n>' (1982). Photo by <n>Eugene Merinov</n>.

<n>Diffraction Patterns For Natural And Synthetic Fibers</n> from the <n>Encyclopedia of Polymer Science and Technology</n>, 1967.

Digital illustration by <n>Tatiana Tsiguleva</n>, created using <n>Midjourney</n>.

Industrial metal furniture handcrafted by designer <n>Marquel</n>.

<n>Villa Waalre</n> in The Netherlands, designed by architect <n>Russell Jones</n>. Photo by <n>Hélène Binet</n>.

Glass of water still life by photographer <n>Lauren Bamford</n>.

An installation for the <n>Netflix</n> documentary series <n>jeen-yuhs</n>.

<n>Big Air Package</n> (2010-13), an installation by <n>Christo & Jeanne-Claude</n>.

A concept by <n>isaac</n> titled '<n>NOTHING IS CONCRETE</n>,' featuring a <n>Brutalist</n> desk setup.

The entity <n>LOOPHOLES</n>, as depicted in the Backrooms Freewriting Wiki.

From the series <n>Work Out</n> by photographer <n>Jack Davison</n> for <n>Sixteen Magazine</n>, 2024.

Generative brand visuals by <n>FIELD.IO</n> for the 2023 <n>IBM Quantum Summit</n>.

Musician <n>rum•gold</n> photographed by <n>Brooke DiDonato</n> for his album <n>thicker than water</n>.

Sibling jaguars <n>Diablo</n> and <n>Lolo</n>.

The <n>Monorecchio</n> earring by artist <n>Getulio Alviani</n>, 1965.

Film still for <n>The Horrors</n> directed by <n>Jordan Hemingway</n> with makeup by <n>Isamaya Ffrench</n>.

Cover art for the <n>Russian Trap Metal</n> genre and artist <n>Tomorrow</n>.

The <n>Beogram 4000</n> turntable, designed by <n>Jacob Jensen</n> for <n>Bang & Olufsen</n> in 1972.