Character

<n>Forms of a rhythm</n> by artist <n>Minh T</n> for <n>Magnifico Magazine</n>.

<n>250ML SUN</n> by artist <n>Slime Sunday</n>.

Cinematography by <n>Roman Osin</n> for <n>Joe Wright</n>'s 2005 film <n>Pride and Prejudice</n>.

Photo by <n>Daniel Orlando</n>, an entry in the <n>LensCulture BLACK & WHITE PHOTOGRAPHY AWARDS 2022</n>.

Model <n>Du Juan</n> photographed by <n>Paul Phung</n> for the <n>INFRINGE</n> editorial <n>Punks in Springtime</n>.

A still from <n>The Wind Will Carry Us</n> (1999), directed by <n>Abbas Kiarostami</n>.

Photo of model <n>Mobolaji</n> by <n>Brandon Alastair</n>.

From the book <n>Energy Ecstasy and Your Seven Vital Chakras</n> by <n>Bernard Gunther</n>, published in 1983.

"<n>Underwater Angel</n>" by photographer <n>Natalie Karpushenko</n>.

<n>Face to face</n> by <n>MendezMendez</n>.

A film still from <n>Close-Up</n> (1990), directed by <n>Abbas Kiarostami</n>.

<n>Will Smith</n> and <n>Rosario Dawson</n> in a still from the 2008 film <n>Seven Pounds</n>.

A work from the ‘Poetry of transparency’ series by <n>Anton Reva</n> featuring <n>Dmitry Stukovnikov</n>.