Interior of <n>La Florida</n> by <n>Barbeau Desrosiers</n> and <n>Jean-Benoit Trudelle</n> with lights by <n>Verre d’Onge</n>.

<n>Catch of the day</n> by <n>Reahky</n>.

The interior of the <n>Citroën Karin</n> concept car, designed by <n>Trevor Fiore</n> and unveiled in 1980.

In or out by photographer <n>Peter Samuelsson</n>.

The Burke Residence in the Hollywood Hills, designed by <n>Charles Burke</n> in 1985.

<n>Creation</n> (2023), a painting by <n>Veradia</n>.

A tree pruned using the ancient Japanese forestry technique of <n>Daisugi</n>.

<n>Side Table 01</n> from the <n>Vincent Van Duysen</n> for <n>Zara Home</n> collection, 2022.

<n>Butterfly Fairies of the World</n>, an illustration by <n>Malina Dowling</n>.

The <n>Zodiac Room</n> at <n>Neiman Marcus</n> in Dallas, designed by <n>Tom Acquistapace</n> in 1984. Photo by <n>Jaime Ardiles-Arce</n>.

The bathroom of the <n>Zen Den</n> project near Manchester. Design and photography by <n>Yone Collective</n>.

The <n>Pop & Roll Art Toilet</n> in <n>Budapest</n> by artist <n>Miklós Kiss</n>.

The <n>Dome Cluster House</n> in Carlyle, IL, designed by <n>Michael Jantzen</n> between 1980-82.

Painting <n>Incredible Winter Light, Near Lavenham</n> (2024) by artist <n>Paul Evans</n>.

<n>Woman before the Rising Sun</n> (c. 1818-1820) by <n>Caspar David Friedrich</n>.

<n>Bear at the Tree of Light</n> (1968) by artist <n>Peter Birkhäuser</n>.

Still life for <n>Robinson's Cannabis</n> by photographer <n>Matthew Boyd</n> with set design by <n>Jess Anderson</n>.

Cover art for <n>Serwed</n>'s 2023 album <n>IV</n>, released by <n>West Mineral Ltd.</n>

Cows graze at <n>Duke's Nose Point</n> in Lonavala, India.

A winter sunset over <n>Tallinn</n>, Estonia. Photo by <n>Sasha Elage</n>.

<n>Brockwell Park Gardens</n> bathroom, designed by <n>Lizzie Green</n> with <n>Studio Elephant Architects</n>. Photo by <n>Chris Snook</n>.

What troubled her so, she thinks, is the dream’s effect of nullifying the present. For she is passionately attached to her present; nothing in the world would induce her to trade it for the past or the future. That is why she dislikes dreams: they impose an unacceptable equivalence among the various periods of the same life, a leveling contemporaneity of everything a person has ever experienced; they discredit the present by denying it its priviledged status. As in that night’s dream: it obliterated a whole chunk of her life; in its place the past came lumbering in. - Milan Kundera

<n>Kenaf (Hibiscus cannabinus)</n> photographed by <n>Kate Friend</n> at <n>Chelsea Physic Garden</n>, 2017.

'<n>Listening to the Sea</n>' (2014), an artwork by <n>Marek Cina</n>.

<n>Waldinneres bei Mondschein</n> (c. 1823-1830) by German Romantic artist <n>Caspar David Friedrich</n>.

An image with a <n>Southern Gothic</n> aesthetic by artist <n>B E N N U</n>.