Personetics

Poster for the 35th <n>Prêmio Design Museu da Casa Brasileira</n> by <n>LUKTHIS® STUDIO</n> and TA, 2022.

<n>three friends</n>, a 2016 digital animation by <n>Bees & Bombs</n>.

<n>Addiction 1/2 — Scroll</n>, a 2017 animation by illustrator <n>Timothée Bart</n>.

The brand identity for <n>Coulter Partners</n> uses a colon to represent endless possibilities.

A still from the 1991 film <n>Night on Earth</n>, directed by <n>Jim Jarmusch</n>.

<n>Silver didrachm of Eretria</n> with an octopus depiction, c. 500-465 BC. From <n>Archaiologia Online</n>.

A still from the film <n>Michelin ‘On The Road and Beyond’</n>, directed by <n>Henry Schofield</n>.

A 3rd century BC <n>silver stater from Knossos</n> depicting the Labyrinth. Photo by <n>Ashmolean Museum</n>.

<n>The New York Times Magazine ‘T’ logo</n> made from gold tinsel. Photo by <n>Party of One</n>.

<n>Time lapse. Christopher Street, NYC</n> (2020) by photographer <n>Xan Padron</n>.

<n>Untitled</n> (2022), an artwork by <n>Marcos Alvarado</n>.

A graphic for the 1925 film <n>Seven Chances</n> starring <n>Buster Keaton</n>.

<n>The Bullough Family Mausoleum</n> on the Isle of Rum, Scotland. Photo by <n>Simon Hird</n>.

<n>Pillars of Wellbeing</n> by artist <n>Rukaiya Daud</n>.

<n>Followers</n>, a digital illustration by <n>Javier Jaén</n>.

Poster for the <n>Off Type</n> foundry launch, featuring the <n>OT Abalos</n> typeface. Design by <n>Bureau Borsche</n>.