Q3 2026 Concept

A 1911 study on flatfish camouflage by zoologist <n>Francis B. Sumner</n> for the <n>Journal of Experimental Zoology</n>.

A minimal collage by artist <n>Saki Tomioka</n>.

<n>Hand and Fan</n>, a 1931 photograph by <n>Margrethe Mather</n>.

<n>Katrien De Blauwer</n>'s collage <n>When I Was a Boy 70</n> (2018).

Single artwork created by <n>Julia Schimautz</n> and <n>DTAN Studio</n>.

Plate XIII from <n>William Saville-Kent</n>'s 1893 book, <n>The Great Barrier Reef of Australia</n>.

An unbuilt project designed and illustrated by <n>Per Carlsen</n>.

<n>Miniature 'Eye'</n> brooch, c. 1790-1800. From the collection of the <n>Victoria and Albert Museum</n>.

A detail of the <n>Dongdaemun Design Plaza</n> in Seoul. Photo by <n>Ricardo Gomez Angel</n>.

<n>Fluidity</n> by <n>Nine</n> featuring dancer <n>Marian Faustino</n>.

A collage from the Stills series by artist <n>Dave Sutton</n> for <n>Stadiums & Shrines</n>.

Dancer <n>Martha Graham</n>. Photo by <n>Soichi Sunami</n>.

Surrealist couture jewelry from the <n>Schiaparelli</n> Spring/Summer 2020 collection by <n>Daniel Roseberry</n>.

A collection of eye-shaped <n>ex-votos</n>, offerings made to a saint or divinity.

A photograph from the series <n>The Modernist</n> by <n>Tina Lechner</n>.

<n>The Line</n> (2018) by photographer <n>Sam Rock</n>.

<n>Precious Stones</n> (1936), a <n>Surrealist</n> collage by <n>Eileen Agar</n> that inspired <n>Duro Olowu</n>'s SS22 collection.

Photograph by <n>Richard Avedon</n>, 1969.

Abstract composition associated with the brand <n>Marset</n>, via <n>Acoulite</n>.