General Art Inspo

<n>La Fée</n> (c. 1886), a <n>Symbolist</n> painting by <n>Gustave Moreau</n>.

<n>The Dance</n> (2020) by artist <n>Randy Ortiz</n>.

<n>Hercules at Lake Stymphalos</n> (c. 1875-1880) by <n>Gustave Moreau</n>.

<n>Sir William Russell Flint</n>'s 1924 illustration of <n>Athena</n> comforting <n>Penelope</n> for The Odyssey.

<n>The Victorious Sphinx</n> (1886) by <n>Symbolist</n> painter <n>Gustave Moreau</n>.

<n>The Destruction of Pompeii and Herculaneum</n> (1822) by <n>Romantic</n> painter <n>John Martin</n>.

<n>A Fisherman and Mermaids in the Blue Grotto on Capri</n> by artist <n>Hermann David Salomon Corrodi</n>.

"Judith" (1888), an engraving by <n>Eugène André Champollion</n> after artist <n>Fernand Lematte</n>.

<n>The Song of Songs</n> (c. 1892), a <n>Symbolist</n> painting by <n>Gustave Moreau</n>.

<n>David and Saul</n>, an 1885 painting by <n>Julius Kronberg</n>.

<n>The Miracle Flower</n> by Austrian <n>Symbolist</n> painter <n>Alexander Rothaug</n>.

<n>The Spirit of the Moon</n> by <n>Émile-Antoine Bayard</n> for <n>Jules Verne</n>'s 1870 novel *Around the Moon*.

Digital illustration <n>suffer</n> by artist <n>Artem Demura</n>.

<n>L'amour et Psyche</n> by artist <n>Eugène Thirion</n> (1839-1910).

<n>A Coign of Vantage</n>, an 1895 painting by <n>Sir Lawrence Alma-Tadema</n>.

A detail from <n>The Flight into Egypt</n> (1609) by <n>Adam Elsheimer</n>.

<n>Cupid's Target</n> (1758), a <n>Rococo</n> painting by <n>François Boucher</n>.

<n>Paradiso, Canto 14</n> (1885) by <n>Gustave Doré</n> for <n>Dante</n>'s 'The Divine Comedy'.

<n>Preparing for the Bath</n>, a 1900 <n>Neoclassical</n> painting by <n>John William Godward</n>.

Engraved allegorical frontispiece for <n>Oculus Artificialis Teledioptricus sive Telescopium</n> (1685) by <n>Johann Zahn</n>.

Illustration for <n>Gustave Flaubert</n>'s novel <n>Salammbô</n> by <n>Almery Lobel-Riche</n>, 1935.

Detail of a 17th century <n>lace border</n> from Brussels, Belgium.

<n>Fragment of a Tapestry or Wall Hanging</n>, an Upper Rhenish wool and linen tapestry, c. 1450-1475.

A detail from <n>Incostanza. An Allegory of Fickleness</n> by artist <n>Abraham I Janssens</n>.

<n>Dante and the Eagle</n> (c. 1868), an engraving by <n>Gustave Doré</n> for <n>Dante Alighieri</n>'s <n>The Divine Comedy</n>.

The final painting in <n>Thomas Cole</n>'s five-part series, <n>The Course of Empire: Desolation</n> (1836).

<n>Apollo and Dionysus</n>, a digital painting by artist <n>Leonid Ilyukhin</n>.

<n>Boreas and Oreithyia</n> by <n>Alexander Rothaug</n>, c. 1905.

A detail from <n>The Abduction of Europa</n> (1727) by artist <n>Noël-Nicolas Coypel</n>.

<n>Our Time is Fix'd, and all our days are Number'd</n> (c. 1805) by <n>William Blake</n> for <n>Robert Blair</n>'s poem <n>The Grave</n>.

<n>Le jet d'eau</n> (1907) by artist <n>Léon Spilliaert</n>.

<n>Nymphs In A Forest</n> by <n>Henri Adrien Tanoux</n>, 1898.