Brand identity for <n>Keshaw McArthur</n>, designed by <n>1/1 Studio</n>.

Flyer for the <n>Spuren des Stillstands</n> exhibition, designed by <n>Klasse Cluss</n>, <n>marc roecker</n>, and <n>linus geiss</n>.

Conceptual artwork of a <n>Wormhole</n> by artist <n>Mehau Kulyk</n> for <n>Science Photo Library</n>.

A silhouette photograph by Japanese photographer <n>Kenji Sasaki</n>.

Photo by <n>DARINA SHAPOSHNIKOVA</n>. Styled by <n>Carine Utegenova</n> for <n>mobjournal</n>.

A collection of <n>36 Technological Vector Shapes</n>.

<n>Daily Risk</n> designed by <n>MUGI (Mujdat)</n>.

<n>Rice</n> (2014) by artist <n>David Blamey</n>.

The <n>200 Utilitarian Graphic Kit</n> by designer <n>Vanzyst</n> for <n>Studio 2am</n>.

<n>Toshihiko Shimizu</n>'s concrete poetry work, <n>Six Meditations</n>, from 1969.

The <n>Sun Collection</n>, a bundle of 24 vector artworks by <n>Colorpong</n>.

Poster for the <n>罪と罰 (Crime and Punishment)</n> exhibition at the <n>Morioka History and Culture Museum</n> in 2023.

A photograph of a human <n>neuron</n> showing its branching <n>dendrites</n>.

Cover art for <n>Masira</n>'s single <n>Red Light Means...</n>. Design by <n>Sergio Lairisa</n>, photo by <n>cris morera</n>.

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