no.0124

A 2014 photograph from the series <n>Two Days in Appalachia</n> by <n>Bruce Gilden</n>.

<n>The Comedy Store</n> in London, photographed by <n>David Levene</n> for <n>The Guardian</n>.

Model <n>Masako Otani</n> in <n>Yohji Yamamoto</n> Spring/Summer 1984. Photo by <n>Nick Knight</n>.

From the March 1948 issue of <n>Harper's Bazaar</n>.

A <n>Harlequin Bodysuit</n> with Victorian-style ruffles.

A portrait of German model <n>Claudia Schiffer</n>.

<n>Catherine Deneuve</n> in <n>Luis Buñuel</n>'s <n>Belle de Jour</n> (1967), with shoes by <n>Roger Vivier</n>.

Ceramic plate by artist <n>Lisa Ringwood</n>.

<n>Girl with a Mask</n>, a papercut Christmas decoration by <n>Hans Christian Andersen</n>.

An <n>Art Deco</n> interior by <n>Émile-Jacques Ruhlmann</n>, rendered by <n>Adolphe Mouron Cassandre</n> in 1928.

Cover of the fictional book <n>The Perversions of Quiet Girls</n> by <n>Anonymous</n>, dated 1965.

The collage <n>sopravvivenza visiva</n> by artist <n>Maria Di Pietro</n>.

From the <n>ANTÉBE 24 Summer Collection Lookbook</n>.

Actress <n>Pamela Tiffin</n> at the <n>Golden Awards in Film</n> in Los Angeles, 1969. Photo by <n>Frank Edwards</n>.

An editorial from <n>Vogue</n>, February 1965. Features stockings by <n>Hanes</n> and a leotard by <n>Bewitching</n>.

The <n>Lola Mary Jane</n> ballet flat in Comet by <n>Yuni Buffa</n>, crafted from nappa leather in Italy.

The <n>NARS</n> x <n>Man Ray</n> <n>Glass Tears Eyeshadow Palette</n>, featuring the artist's work <n>Les Larmes (Glass Tears)</n>.

Editorial featuring an <n>Alexander McQueen</n> dress, styled by <n>Camille Bidault-Waddington</n>.

A still from the 1975 film <n>La Bête</n>.

<n>Tapete Croco 05 Dunkelgrün</n> wallpaper by <n>Tapeten der 70er</n>.