Trim Marks

From the <n>30 Sunrises</n> series, shown at the <n>MONTH</n> exhibition at <n>UNIT</n> gallery in 2023.

The book <n>Sin palmeras no hay paraíso</n> by <n>Santanasantana</n>, published by <n>Handshake®</n>. Photo by <n>Rubén</n>.

<n>Carbone 20</n>, a book on the biennial of artist-run initiatives, published by <n>Idoine Édition</n>.

The <n>Animal Logo</n> and 10th anniversary <n>Monogram Logo</n> books, compiled by <n>Counter-Print</n>.

The book <n>Tech Logos</n> by <n>Counter-Print</n>.

AI-generated visual for <n>Folder</n>. Graphic by <n>ATIO Studio</n>, development by <n>Thomas Cornolti</n>.

<n>La Gazette à Paillette</n>, a publication by graphic designer <n>Valentin Bodinier</n>.

Photo by <n>Jaime del Corro</n> of <n>Spek</n>, a publication by <n>Claudia Rebeca Lorenzo</n> for <n>Caniche Editorial</n>.

<n>Família Typeface Specimen</n>, a diploma project by <n>J. Hunor Vári</n> for <n>ECAL MA Type Design</n>.

Cover of <n>The Canarian</n> No. 53, featuring land art by <n>Jose Assima</n>.

Brutalist publication <n>Graduate360° 2023 Annual</n>, designed by <n>Can Yang</n>.

A writing exercise booklet by <n>Emergence Magazine</n> for its <n>Shifting Landscapes</n> project.

<n>Rave Logos</n>, a book by <n>Masala Noir</n>, archives graphic design from 90s rave culture.

<n>Weak Synaesthesia</n> by <n>Johannes Thiel</n>, a graduation project from the <n>Class for Spatial Design UdK</n>.

Interior spread from the article <n>Kurisu ‘The Art of Pruning’</n> in <n>JOON</n> magazine.

The book <n>Enquiry #1, #2, #3</n>, realised with <n>Goldwin 0</n> and published by <n>In Other Words</n>.

<n>GOAT End of Year Print</n> designed by <n>Daily Dialogue</n>. Typeface by <n>Dinamo Typefaces</n>.

<n>Club Brat</n> zine spread for <n>Converse</n> and <n>Hypebeast</n>. Photo by <n>Michael Kusumadjaja</n>, art direction by <n>Kevin Chen</n>.

The photobook <n>Pieces of Berlin 2019-2023</n> by <n>Florian Reischauer</n>, designed by <n>Stefan Bauernberger</n>.

The <n>HOARDERS</n> zine, a student project from <n>Bauhaus-Universität Weimar</n>.

The cover for <n>Air Conditioned Hours</n>, an artist book by <n>Ju Young Kim</n> with stories by <n>Guilherme Vilhena Martins</n>.

<n>Counters, Issue Nº.001</n>, a risograph publication from an <n>Experimental Typography Atelier</n>.

<n>Kadō 生け花</n>, a book by <n>Vrints-Kolsteren</n> and <n>Wanwai Shum</n>, handbound by <n>森版画工房</n>.

<n>Valerio</n>'s thesis book on the circus posters of <n>Moira Orfei</n>, reviewed by <n>Stefan Sagmeister</n>.

The <n>PM(2)</n> vinyl record from <n>Squama Recordings</n>. Photo by <n>Mayuko</n>.

The bookshop at the <n>Centre Pompidou</n> in Paris.

Handmade <n>Flash Book</n> with a puff-paint cover by tattoo artist <n>Jay Wyssling</n>, created in 2025.

Cover for <n>The Flinch</n> by <n>Julien Smith</n>, designed by <n>Principal</n> with illustration by <n>Alain Pilon</n>.

A spread from the Risograph book <n>Now Dissolve Me</n> by artist <n>Ilka Gilvesy</n>, 2023.

Zines from 2020-2022 and <n>Atividade Extracurricular</n> by artist <n>Bráulio Amado</n>.

<n>Border Ecologies and the Gaza Strip</n> from <n>MOLD</n> Issue 06. Words by <n>Meg Miller</n>, images courtesy of <n>FAST</n>.

Editorial design for the <n>Arrullo Salvaje</n> exhibition catalog for artist <n>Capi Cabrera</n>. Photo by <n>Rafael Arocha</n>.

<n>Yo, sí; yo, no</n> by artist <n>Óscar Raña</n>, published by <n>Último Mono</n>.

The book <n>The Forty Thoughts</n> from <n>The Brand Identity</n>, designed by <n>Gerard Cruz</n>.

<n>EXTRA ARCHIVE: JOURNAL OF DESIGN HISTORY No.6</n>. Photo by <n>Ahn Byunghak</n>.