Kerning freaks

<n>Sangallo Serif</n>, from a <n>Muttnik</n> brand identity for the <n>Biblioteca Comunale degli Intronati</n>.

Flyer for the <n>Spuren des Stillstands</n> exhibition, designed by <n>Klasse Cluss</n>, <n>marc roecker</n>, and <n>linus geiss</n>.

Newsprint publication for the <n>The Polyphonic Sea</n> exhibition at <n>Bundanon</n>, curated by <n>Sophie O’Brien</n>.

Installation view of <n>Taryn Simon</n>'s work at <n>The Museum of Modern Art</n>, 2012. Photo by <n>Jonathan Muzikar</n>.

A visual identity concept for the vintage furniture marketplace <n>Neue Montage</n>. Photos by <n>Creative Design Space</n>.

<n>Musica Viva</n> concert poster designed by <n>Josef Müller-Brockmann</n> in the <n>Swiss Style</n>, 1958.

<n>The State of Housing Design 2023</n> from <n>Harvard University</n>, designed by <n>Normal</n>. Photo by <n>Evan Jenkins</n>.

Forgotten Shapes

A page from the <n>Out of Order</n> catalog for the <n>Haubrok Foundation</n> and <n>Neues Museum Nürnberg</n>.

A page from the book <n>Archive 003 – ONE</n>.

UI/UX design for the <n>Concrete Club • Studio</n> website.

The book <n>Surface Horizon</n> for <n>Marguerite Humeau</n>, designed by <n>Atelier Pierre Pierre</n>. Photo by <n>Julia Andréone</n>.

<n>Shape of the Images</n>, an art book by <n>Fujii Tomoya</n> with design by <n>Keiji Yano</n>.

<n>Photomatic d’Italia</n> (1973-74) by artist <n>Franco Vaccari</n>. Courtesy of <n>P420 gallery</n>.

The book <n>E42</n> by artist <n>Aitor Bigas</n>, published by <n>PROGRESSO</n>.

<n>Musica Viva</n> concert poster (1958) by <n>Josef Müller-Brockmann</n>, an example of the <n>International Typographic Style</n>.

Graphic design for <n>House of Alignment</n> by <n>Folk’s era</n>.