Casall

Key colors for Spring/Summer 2024 by <n>WGSN</n> and <n>Coloro</n>. Graphic by <n>moject</n>.

Model <n>Margaux Ayasse</n> for the <n>Nike Well Collective</n> campaign, photographed by <n>Kintzing</n>.

The <n>Adidas</n> <n>Futurecraft 4D</n> shoe midsole, 3D printed in partnership with <n>Carbon</n>.

An intimate portrait of <n>Vanya</n> at <n>Casa Cleo</n>.

Model <n>Neus Bermejo</n> for <n>Sunnies Face</n>, photographed by <n>Marianne Krauss</n>.

Photograph by <n>Frank Horvat</n> for <n>Glamour USA</n>, 1976.

The <n>Recharge gel nettoyant corps et cheveux</n> by <n>edone.paris</n>.

Campaign image for <n>Sunnies Face</n> by <n>Danielle Close</n> of <n>Bellame Studio</n>, 2023.

Actor <n>Gal Gadot</n> in a campaign for <n>Revlon</n>'s <n>ColorStay Light Cover Foundation</n>.

Model <n>Charlotte Carey Tampubolon</n> for <n>REOME</n>'s <n>Three Suns Balm Cleanser</n>. Makeup by <n>Linda Andersson</n>.

An editorial photograph for <n>Acne Studios</n>.

A skincare duo featuring <n>The Ex</n> and <n>The Rich Cream</n>.

Website design for New York-based cosmetics brand <n>SARAPH</n> by <n>designdddari</n>.

<n>Pitta Ayurvedic Balancing Shampoo Bar</n> and <n>Conditioner Bar</n> by <n>Plantas Medicinas ®</n>.

Packaging for <n>Cay Skin</n>, a suncare line by <n>Winnie Harlow</n>, designed by <n>Concrete</n>. Photo by <n>Othello Grey</n>.

A still life of <n>SALT & STONE</n>'s <n>Santal & Vetiver Body Wash</n>. Photo by <n>Mike Kazik</n>.

A campaign image for <n>Mantle</n>'s <n>The Ex</n> exfoliator, photographed by <n>Marie Justine Prioux</n>.

Identity for <n>Stefanie Nelson Dancegroup</n> by designer <n>Carlos Bocai</n>. Photo by <n>Qiang Wang</n>.

Brooklyn-based designer <n>Kim Mupangilaï</n>.

Flyer for the <n>Skincare, Ceramics & Shrubs</n> event with <n>LESSE</n>, <n>Rachel Saunders</n>, and <n>HOMECOMING®</n>.

A 3D printed shoe concept for <n>Covestro</n>. Photo by <n>Helge Kiehl</n>.

<n>Wednesday Inspiration</n> from <n>SAVEE</n> featuring <n>Jess Wasson</n>. Photo by <n>Calvin Pausania</n>, art by <n>Ivan Anton</n>.