grafics

An 1881 illustration of the jellyfish <n>Pectanthis asteroides</n> by artist <n>Ernst Haeckel</n>.

<n>Leptomedusae</n>, an 1881 illustration by artist <n>Ernst Haeckel</n>.

Print by <n>George Field</n> and <n>Rosenberg</n> from <n>Baron Frédéric de Portal</n>'s book on symbolic colors.

<n>La Genèse</n>, an engraving by <n>Robert Fludd</n> from his 1617 treatise, <n>Utriusque Cosmi</n>.

<n>A Celestial Eye, viewing the Objects of the Creation</n>, an engraving by <n>Thomas Wright</n> from 1750.

<n>Plate 64, Volume 3</n> from <n>A. G. Mayer</n>'s "<n>Medusae of the World</n>" (1910). Lithograph by <n>A. Hoen & Co.</n>

Jean Delville | The Angel of Splendour or Allegory of Hell (1899) | MutualArt

The Ripple (The J. Paul Getty Museum Collection)

<n>A Green Beauty</n> by artist <n>Marina Marcolin</n>, featured in <n>Firewords Quarterly</n>.

<n>The act of imagining something makes it real</n> by artist <n>Kim Sin Hye</n>.

AI-generated artwork of a <n>Fallen Angel</n>, inspired by <n>John Milton</n>'s 'Paradise Lost'.

<n>Gustave Doré</n>'s 1861 wood-engraving depicting <n>Farinata degli Uberti</n> addressing <n>Dante Alighieri</n>.

<n>The Sun</n> (1874) by <n>Joseph W. Spoor</n>, from the <n>Electro Astronomical Atlas</n>.

'<n>Queensland Pearls</n>' by <n>William Saville-Kent</n> (1893), used as cover art for <n>Ryuuta Takaki</n>'s album <n>Jewels</n>.

<n>Cubomedusae</n>, a 1904 lithograph by <n>Ernst Haeckel</n> from his book <n>Kunstformen der Natur</n>.