embedding

<n>Teletext</n>, a <n>humanist</n> pixel typeface designed by <n>Adrian Frutiger</n> in 1979.

Typographic artwork <n>N</n> for the <n>36 Days of Type</n> challenge, inspired by <n>Vera Molnar</n>.

Cover of <n>Impressions Number Three: Man and His Mark</n>, designed by <n>Les Mason</n> in 1972.

<n>WRAPPERS</n> (2023), an NFT from a long-form project by artist <n>Galo Canizares</n>.

Typographic design by <n>Hansje van Halem Studio</n> from a publication.

<n>City and Rural Population. 1890.</n>, a data visualization by <n>W. E. B. Du Bois</n> for the 1900 <n>Paris Exposition</n>.

<n>Color Analysis from Teacup and Saucer</n>, an illustration by <n>Emily Noyes Vanderpoel</n> from her 1902 book.

ASCII art by <n>Analogue Design Agency</n> for an <n>Unofficial Awwwards After-Party</n>.

Letters from <n>Takenobu Igarashi</n>'s <n>Concrete Alphabet</n> (1981) and <n>Aluminum Alphabet</n> (1983).

<n>Indian calligraphy diary</n> by <n>R. K. Joshi</n>, Bombay, 1980.

HAL Typefaces

Plotter art by <n>James Dalessandro</n> for the <n>Plotparty</n> event.

<n>coldtypestructure u + r mitte</n> (1965) by artist <n>Klaus Burkhardt</n>.

Typographic artwork 'A' by artist <n>Sergi Delgado</n> for the <n>36 Days of Type</n> challenge.

<n>Grid Fraktur Font</n>, a modular <n>Fraktur</n>-style typeface by designer <n>Marlon Ilg</n>.

The typeface <n>Biometric Blur</n>, inspired by artist <n>Salomé Chatriot</n> and mentored by <n>Kai Bernau</n>.

Cover of <n>Wendingen series 10, No. 7</n>, published in Amsterdam, 1930.