Typography

Poster by <n>Kurppa Hosk</n> for the <n>Grande Arche de la Défense</n>, designed by <n>Johan Otto von Spreckelsen</n>.

Poster for the <n>Sammlung Cavellini</n> exhibition at <n>Kunsthalle Basel</n> in 1958.

Poster for the <n>2019 Seoul Focus: Nothing Twice</n> exhibition at <n>SeMA, Buk-Seoul Museum of Art</n>.

Packaging for <n>La Flor</n> wines from <n>Pulenta Estate</n>. Design and photo by <n>A Practice for Everyday Life</n>.

The <n>Banco de Portugal logo</n>, designed by <n>Sebastião Rodrigues</n> in 1980.

Visual identity for <n>Lila Labo</n> designed by <n>Jarosław Dziubek</n>.

Identity design for the 2023 <n>Transit Festival</n> by <n>Vrints-Kolsteren</n>.

<n>Lyga</n>, a serif typeface designed by <n>Samira Schneuwly</n> for her 2022 <n>ECAL</n> diploma project.

Typographic animation by <n>Ayham Ghraowi</n> from <n>Yale Graphic Design</n>.

Custom typeface for <n>Diadora</n> designed by <n>Studio Temp</n> and <n>Michelangelo Nigra</n>.

Cover for <n>Where Grape Leaves Grow</n> by <n>Anna</n>. Design by <n>Michelle Kuan</n> and <n>Emi</n>.

Graphic identity for the <n>Kappa</n> x <n>XANDER ZHOU</n> Spring/Summer 2022 collaboration.

The illustration series <n>Both Sides Thinking</n> by artist <n>Hymn Wong</n>.