<n>Two Callas</n>, a 1929 photograph by <n>Imogen Cunningham</n>.

A <n>Cesca chair</n> designed by <n>Marcel Breuer</n> in 1928.

<n>The Golden Spiral</n> by <n>Hannsjörg Voth</n> in Morocco, 1984. Photo by <n>Ingrid Amslinger</n>.

<n>Sea snail shell</n> by <n>Herman Landschoff</n>, 1988.

<n>Waiheke House</n> designed by <n>Cheshire Architects</n>. Photo by <n>Sam Hartnett</n>.

Pottery collection designed by <n>Berndt Friberg</n>, 1960s/70s.

<n>Amaryllis</n>, an X-ray photograph from the 1930s by <n>Dain L. Tasker</n>.

<n>Shell</n>, a 1927 photograph by <n>Edward Weston</n>.

<n>Parrot Tulips</n> (1987) by <n>Robert Mapplethorpe</n>.

Artist <n>Lorna Simpson</n>'s 1995 work, <n>9 Props</n>, an ode to photographer <n>James VanDerZee</n>.

Evoking What Can’t Be Seen (Published 2018)

Cover art for the track <n>NEFRETİM HEPİNİZE</n> by <n>yuri</n> featuring <n>KakHUZu</n>.

From the <n>Dark in Light, Light in Dark</n> series by photographer <n>Katka Pračková</n>, 2020.

A <n>Nautilus shell</n> photographed by <n>Alexandre Vernacchio</n>.

Works by <n>J.B. Blunk</n>, <n>Charlotte Perriand</n>, and <n>Frank Gehry</n> at <n>50 Vyner</n> gallery. Photo by <n>Jake Curtis</n>.

A <n>Nautilus shell</n> photographed by <n>Tom Brakefield</n>.

Works by <n>Constantin Brancusi</n> in the reconstructed <n>Atelier Brancusi</n>. Photo by <n>Alberto Savinio</n>.

A vignette from an exhibition at <n>Demisch Danant</n> gallery, styled by <n>Colin King</n>. Photo by <n>William Jess Laird</n>.

Zinc coffee table by designer <n>Max Lamb</n>.

<n>Ulysse</n>, a 1989 ink on paper drawing by artist <n>Jean-Pierre Hebert</n>.

<n>In the Room</n> exhibition for <n>Demisch Danant</n>. Photo by <n>William Jess Laird</n>.

<n>Tobia Scarpa</n>'s <n>Pigreco chairs</n> for <n>Tacchini</n>, as featured in <n>Ark Journal</n>.

Installation at <n>Béton Brut</n> for <n>London Design Festival</n> 2021. Photo by <n>Ollie Tomlinson</n>.