The deconstructed aesthetic of Belgian fashion designer <n>Martin Margiela</n>.

Cover design by <n>Fatih Hardal</n> featuring the <n>FH Giselle</n> typeface.

<n>I Sette Savi</n>, a 1960 sculpture by <n>Fausto Melotti</n>. Photo by <n>Ugo Mulas</n>.

A typeface specimen from designer <n>Superior Type</n>.

<n>Constantin Brâncuși</n>'s polished bronze sculpture, <n>La Muse endormie</n>, created in 1910.

Cover art for the single <n>High and Dry / Planet Telex</n> by <n>Radiohead</n>.

<n>My shadow and the shadow of my kite</n>, a 1911 photograph by <n>Jacques-Henri Lartigue</n>.

Artwork from the <n>Sunrise from a Small Window</n> series by artist <n>Sho Shibuya</n>.

<n>Henri Matisse</n>'s 1952 paper cut-out, '<n>Acrobates</n>,' printed as a lithograph by <n>Fernand Mourlot</n>.

<n>And God Divided the Light from the Darkness</n> (1845) by artist <n>George Field</n> and engraver <n>Rosenberg</n>.

Risograph zine by <n>Sunroom</n> with a companion cassette featuring music by <n>dylanwesch</n>.

Artwork by <n>Katrien De Blauwer</n> for the exhibition <n>Dans tes brumes</n>, curated by <n>Lise Bruyneel</n>.

A 1927 plate of monograms by designers including <n>Karl Schulpig</n>, <n>Alfred Mahlau</n>, and <n>Ernst F. Knodel</n>.

<n>Non-objective composition No. 61</n> (1918) by <n>Alexander Rodchenko</n>.

May