Misc

A harvest at <n>Flamingo Estate</n> in Los Angeles, founded by <n>Richard Christiansen</n>. Photo by <n>Dane Tashima</n>.

<n>Harvest Market</n> (1992) in Puli Khumri, Afghanistan. Photo by <n>Steve McCurry</n>.

Plate 81 from <n>Martin Frobenius Ledermüller</n>'s *<n>Mikroskopischer Gemüths- und Augen-Ergötzung</n>* (1759–63).

A 1587 lace pattern by <n>Federic de Vinciolo</n> from his book <n>Les Singuliers et Nouveaux Pourtraicts</n>.

<n>Medicine Wheel</n>, a 1982-83 installation by artist <n>Chris Drury</n>.

<n>Curfew</n> (c. 1940s) by <n>Gerard Dillon</n>, a painting gifted to fellow artist <n>Basil Rákóczi</n>.

<n>Hearth</n>, a sculpture in metal wire and textile by artist <n>Kincso Toth</n>.

"Night Shells" illustrations from an 1883 catalog by Japanese firework maker <n>Jinta Hirayama</n>.

<n>The Tree of knowledge of good and evil</n>, a Rosicrucian illustration by the <n>German School</n>, c. 1785.

Artist <n>Antonio López García</n> in his studio.

Photograph of <n>Mushroom Corals</n> by <n>William Saville-Kent</n> from 'The Great Barrier Reef of Australia' (1893).

“Don't let the fear of what could happen make nothing happen” by <n>OXYGN</n>.

<n>Phantom Black Hole</n> by artist <n>Daniel Martin Diaz</n>, used as the cover for <n>Lars Bartkuhn</n>'s album.

<n>Keep Yapping</n>, a digital illustration.

<n>Le Corbusier</n> inspects the <n>door panels for Notre-Dame du-Haut</n> in Ronchamp, France, 1955.

A look from the <n>Carcy 11 Editorial</n> in a dress by <n>Uma Wang</n>. Photo by <n>Thibaut Grevet</n>.