tobogã

Logo for <n>Alsat Alüminyum</n> and <n>Metalúrgica de Mexicali</n>.

<n>Zalando Hack Week</n> (2018), a 3D illustration by <n>George Stoyanov</n> of <n>AISO</n> for <n>Zalando</n>.

Graphic design by <n>Julia Schimautz</n> exploring risoprinting at <n>DREAM PRESS</n> studio in Cape Town.

"Genes" by <n>Jerry-Lee Bosmans</n>, from the <n>Geometric Landscapes</n> exhibition.

The 1980s visual identity of fashion brand <n>ESPRIT</n>, as seen in a 1989 Japanese design book.

<n>ER-62© 3D CNCPT</n>, a 3D concept by <n>HMD™ c/o Finn Hanberg</n>, 2022.

<n>Phases of a Slinky 2</n> by <n>Chad Kouri</n>, 2014.

The <n>Slackjack Typeface</n>, designed by <n>My Name is Wendy</n> in 2020.

Forget Hallmark. Vintage Holiday Cards Are Where It’s At

A diagramming study by architect <n>Matheus The</n> for the studio <n>arquithé</n>.

Artwork by <n>Luca Licciardi</n> blending glossy and metallic synthetic textures in pastel hues.

“10 Years of Korean Public Design: Directions and Values”, 2017, by Jaemin Lee - typo/graphic posters

<n>Fluid Alphabet</n>, a 3D typographic work by <n>Combrisi</n> (2020).

Design for the 2022 <n>Annual of the Type Directors Club</n> by <n>terezabettinardi.com</n>.

3D title card for the <n>Acne Studios</n> <n>Fall/Winter 2023</n> show invitation.