Mortimus

Flyer for the <n>Paloma Wool</n> AW23 pop-up in New York, November 2023.

Photograph by <n>Elliott Erwitt</n> at the Acropolis Museum in Athens, 1963.

Branding for the <n>After Hours</n> exhibition, featuring <n>Residency I</n> by <n>Morgan Hickinbotham</n>, 2022.

Business card experiments for <n>Alice Constantin</n>. Mockup by <n>Format</n>.

От Уитни к Уорхоллу: личные бланки для писем

The Great Northern Hotel: Fictional Hotel Notepad

Animator and film director <n>Hayao Miyazaki</n>.

<n>Näfveqvarn</n> letterpress business card designed by <n>BÄCK</n>.

Bound 1 Aitor Bigas

Brand collateral for <n>Augusta Hoffman Studio</n> featuring embossed business cards on burgundy paper.

Branding and identity for <n>Clam Bar</n> in Sydney, designed by <n>SCCO Studio</n>.

A concept render by artist <n>Andrei Roshyn</n> for <n>Daft Punk</n>'s album <n>Random Access Memories</n>.

A conceptual business card for artist <n>Sergio A. Delgado</n>, designed to resemble a morgue toe tag.

Portrait of Creative Director <n>Sarah Wright</n>. Photo by <n>Alexandre Souêtre</n>.

Brand identity for <n>Postcard</n>, a New York-based rug company, by <n>Philip Stein Design Collective</n>.

Architect <n>Paolo Soleri</n> sketching in his <n>Cosanti drafting studio</n>, ca. 1960s. Photo by <n>Stuart A. Weiner</n>.

A collection of <n>speakeasy membership cards</n> from the Prohibition era in New York City.

Most people don't realize how big of a deal Starship is!

Ahead of today's Flight 6, here's a first look inside a new series I'm working on called "Frontier Films." 

The first one is all about New Space.

1920 Postal Telegram (Postcard) Carte Postale

Brand identity for <n>Bar Bauma</n> in Barcelona, designed by <n>Dennis Studio</n>.

A collage of labels from <n>J.Crew</n>'s history, including <n>Crewcuts</n> and <n>Wallace & Barnes</n>.