Interior of <n>Georgia O'Keeffe</n>'s Residence and Studio in Abiquiú. Photo by <n>Todd Webb</n>.

An <n>Ice House</n> in <n>Yazd</n>, <n>Iran</n>, photographed by <n>Lynn Davis</n> in 2001.

Cover for <n>Typographische Monatsblätter</n>, 1964 Issue 1, designed by <n>Felix Berman</n>.

A <n>Grass inspired rug</n> in a sunlit living room. Shared by <n>Ecosapiens</n>.

The <n>Lisbon Cruise Terminal</n> by <n>Carrilho da Graça Arquitectos</n>. Photo by <n>Fernando Guerra | FG+SG</n>.

Green Glass Bottle by <n>René Lalique</n>.

Yet it may be, they went on, that there is a zone of silence in the middle of every art. The artists themselves live in it.

— from Walter Sickert: A Conversation, 1934, Woolf

An interior at <n>Kanaal</n> by <n>Axel Vervoordt</n>. Photo by <n>Frederik Vercruysse</n>.

Album art for the song <n>Disciplined Flow Surrender</n> by musician <n>Sheschupek</n>.

<n>Macintosh LC Prototype Model</n> by <n>Apple Industrial Design Group</n> and <n>Matrix Product Design</n>, 1989.

<n>Living Geometry-Storage</n>, a 2015 industrial felt sculpture by artist <n>Chung-Im Kim</n>.

Photo by <n>Rizvanovic Almir</n>, via <n>New Material</n> and <n>NOWNESS</n>.

Lounge Chair designed by <n>Gilles Bouchez</n> for <n>Airborne</n> in 1972.

<n>Special Guests</n>' <n>Cruz Loma, Typica Mejorado / Sidra</n> coffee.