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A <n>Zuni spiral petroglyph</n> at Zuni Pueblo, used as inspiration by the brand <n>PSC</n>.

The <n>Red rocks of the Esterel Massif</n>, inspiration for the <n>Paloma Beach Bar & Lounge</n> by <n>Lauren Cilengir</n>.

An image shared by yarn company <n>Retrosaria Rosa Pomar</n>.

A living tree sculpture by artist <n>Aharon Naveh</n>.

The <n>Waterhouse</n> installation by <n>Nils-Udo</n>, 1982.

A photograph from the <n>Lotus</n> series by <n>Picocoon</n>.

<n>Handprints Petroglyphs</n> by <n>Paleo-Indians</n> at <n>Kodachrome Basin State Park</n> in Utah.

An <n>Experimental Forestry Project</n> in Nichinan, Japan, planted with cedar trees in 1973.

Blooming <n>Agave americana</n>, or Century Plants, near Cape Sines, Portugal. Photo by <n>Alvesgaspar</n>.

<n>Olga Mironova</n> in a still from <n>Come and See</n> (1985), directed by <n>Elem Klimov</n>.

From the series <n>Five Inches of Limbo</n> by photographer <n>Annie Collinge</n> and art director <n>Sarah May</n>.

A clip from the 1988 film <n>The Bear</n>, directed by <n>Jean-Jacques Annaud</n>.

<n>Bronze Age</n> cup and ring marks at the <n>Carschenna rock art</n> site in Switzerland. Photo by <n>Regalia</n>.

The strange case of snow-circles and cup-and-rings - TRACCE

<n>Sheep and Standing Stone, Avebury, England</n> (1995), a photograph by <n>Barry Andersen</n>.

The <n>Wildebeest Migration</n> in <n>Serengeti National Park</n>, Tanzania. Photo by <n>George Steinmetz</n>.