A photograph for <n>Maryline Pomian</n>'s poetry collection <n>l'infra et le supra</n>.

A photograph from a series for <n>Isabel Lankester</n>.

<n>Suelo Orfebre</n> (2019), a collection of glass vessels by artist <n>Simón Ballen Botero</n>.

From <n>Taren Maroun</n>'s essay, <n>To Be Is An Awfully Big Adventure</n>.

Texture of the <n>Jorgobé Refreshing Scrub Mask</n>. Art direction and product styling by <n>HOMEWORK®</n>.

Digital render <n>Art of Tulum House</n> by CGI artist <n>Alina Pelekhach</n>.

Photograph "<n>Horsehead Nebula</n>" by <n>Matthieu Litt</n>.

<n>Modern Remains Cube</n>, a black porcelain sculpture by <n>Kouzo Takeuchi</n>, c. 2015.

Kouzo Takeuchi - Block Sculpture - Collection

APRÈS WHITEFISH BOUTIQUE HOTEL I Brand Icon Design

A 2020 photograph by <n>Magda Nałęcz</n>.

Ceramic sculptures by <n>George Sherman</n> for the <n>OBJECTS for L.A.</n> fundraiser at <n>Marta</n> gallery, 2020.

<n>Relatum - silence</n> (2015) by <n>Lee Ufan</n> at <n>Gary Tatintsian Gallery</n>.

From <n>High Twist</n>'s 'Chinos and Chore Coats'.

<n>Wettstein Park</n>, an architectural model by <n>Rui Chen</n> of <n>USI, Academia di Architettura</n>.

<n>The Water</n>, a 2017 installation by <n>Hiroshi Sambuichi</n> in Copenhagen. Photo by <n>Rasmus Hjortshøj</n>.

<n>Harry Dean Stanton</n> in <n>Wim Wenders</n>' 1984 film, <n>Paris, Texas</n>.