icaps

Graphic design and publication layout by <n>Wurdex</n> and <n>David Adeyemo</n>.

The book <n>GRAPHIC FEST</n> from publisher <n>victionary</n>.

<n>Holke 79</n>, a graphic poster from 2021.

Digital animation by <n>Evgeniya Philippova</n> for <n>DeadSky Studio</n>, c. 2014.

<n>The Mistranslations Project</n> by <n>Re Agency</n> for <n>Melbourne Design Week</n>, using the <n>Neue Montreal</n> typeface.

The handmade zine <n>Made Obscure: The Visual Maze</n> in its unique G-Shape format.

A spread from the book <n>The Process</n> by <n>The Brand Identity</n>, showing unused branding concepts for <n>Glacéau vitaminwater</n>.

<n>Takeo New Year’s Greeting Card</n> designed by <n>Masashi Murakami</n> of studio <n>emuni</n> for paper company <n>Takeo Co.,Ltd.</n>, 2021.

Visual identity for the <n>Bundespreis kooperative Stadt</n> award, using the <n>SNEAK</n> typeface by <n>TIGHTYPE</n>.

An <n>A4 Three Column Grid System</n> design template in the <n>International Typographic Style</n>.

Central Avenue Type Specimen by StudioMakgill | Inspiration Grid

Poster for the 34th <n>European Media Art Festival</n>, titled <n>Possessed</n>, in Osnabrück, 2021.

<n>5ooMook Vol. 01: Culture to Future</n>, a magazine by <n>Local Remote</n> and <n>United Daily News</n>. Photo by <n>Bo Lin Lo</n>.

<n>terms of importance</n>, a project from <n>ECAL</n> for the <n>UNHCR</n>, uses <n>Diatype</n> by <n>Dinamo Typefaces</n>.

Poster by <n>ddd.pizza</n> for the 2023 <n>School Textbooks Design Award</n>.

Poster for the exhibition <n>Marges de Manœuvres</n> at <n>Manoir de la Ville de Martigny</n>.

Poster designed by <n>Mihajlo Arsovski</n> for <n>Mladen Galić</n>'s 1970 exhibition in Zagreb.

The second issue of <n>Mint</n>, a fanzine by <n>FRESH architectures</n>. Photo by <n>Julien Lelievre</n>.

Branding for Seoul-based cafe <n>Frolla</n> by designer <n>Nick Barclay</n>.

Frolla coffee cafe brand and poster design by Nick Barclay

Visual identity for <n>Nitsa Club</n> designed by Barcelona-based studio <n>Treintayseis</n>.